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04116aam a2200541 i 4500 001 416582D80CD411EEAAE9666853ECA4DB 003 SILO 005 20230617010022 008 200529t20212021enkaf b 001 0 eng 010 $a 2020012535 020 $a 1108741592 020 $a 9781108741590 020 $a 1108481906 020 $a 9781108481908 035 $a (OCoLC)1156426926 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d YDX $d UKMGB $d ERASA $d ISM $d OCLCO $d YDX $d NYP $d SILO 042 $a pcc 043 $a s-bl--- 050 00 $a N6655.5.M63 $b D46 2021 082 00 $a 701/.030981 $2 23 100 1 $a Denis, Rafael Cardoso, $e author. 245 10 $a Modernity in black and white : $b art and image, race and identity in Brazil, 1890-1945 / $c Rafael Cardoso, Universidade do Estado do Rio de Janeiro & Freie UniversitaÂt Berlin. 264 1 $a Cambridge, United Kingdom ; $b Cambridge University Press, $c 2021. 300 $a xix, 263 pages, 12 unnumbered pages of plates : $b illustrations (some color) ; $c 24 cm. 490 1 $a Afro-Latin America 504 $a Includes bibliographical references and index. 505 0 $a Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern life : a new art for a new century -- The cosmopolitan savage : modernism, primitivism and the anthropophagic descent -- The face of the land : depicting 'real' Brazilians under Vargas -- Epilogue. Images of a culture at war with itself. 520 $a "The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertao, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"-- $c Provided by publisher. 650 0 $a Art and society $z Brazil $x History $y 19th century. 650 0 $a Art and society $z Brazil $x History $y 20th century. 650 0 $a Artists, Black $z Brazil $x History $x History $y 19th century. 650 0 $a Artists, Black $z Brazil $x History $x History $y 20th century. 650 0 $a Race in art. 650 0 $a Black people in art. 650 0 $a Modernism (Art) $z Brazil. 650 0 $a Art and race. 651 0 $a Rio de Janeiro (Brazil) $x African influences. $x African influences. 650 7 $a Art and race. $2 fast $0 (OCoLC)fst00815423 650 7 $a Art and society. $2 fast $0 (OCoLC)fst00815432 650 7 $a Modernism (Art) $2 fast $0 (OCoLC)fst01024442 651 7 $a Brazil. $2 fast $0 (OCoLC)fst01206830 648 7 $a 1800-1999 $2 fast 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 776 08 $i Online version: $a Denis, Rafael Cardoso. $t Modernity in black and white $d Cambridge ; New York : Cambridge University Press, 2021 $z 9781108680356 $w (DLC) 2020012536 830 0 $a Afro-Latin America. 941 $a 1 952 $l OVUX522 $d 20231117022424.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=416582D80CD411EEAAE9666853ECA4DBInitiate Another SILO Locator Search