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02080aam a2200361 i 4500 001 3355417C86E611EB80D4A9DB35ECA4DB 003 SILO 005 20210317010020 008 200610t20202020enka b 001 0 eng 010 $a 2020026783 020 $a 1350184012 020 $a 9781350184015 020 $a 1350114898 020 $a 9781350114890 035 $a (OCoLC)1158505298 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d YDX $d SILO 042 $a pcc 050 00 $a N4395 $b .S67 2020 082 00 $a 707.4 $2 23 100 1 $a Spaid, Sue, $e author. 245 14 $a The philosophy of curatorial practice : $b between work and world / $c Sue Spaid. 264 1 $a London ; $b Bloomsbury Academic, $c 2020. 300 $a xvi, 274 pages ; $c 25 cm 520 $a "This book walks us through the process of how artworks eventually get their meaning. Using notions of belonging and membership and applying analytic perspectives, it shows us how curated exhibitions invite audience members to infer an exhibition's narrative threads, giving artworks their contents and discursive sense. By drawing on a range of case studies from Impressionism, Dada, and Surrealism to more contemporary exhibitions such as Maurizio Cattelan's "All" and "Damien Hirst", this is a new reading of exploration, conceptualisation, presentation, and reception, informing and illuminating current debates in curatorial practice"-- $c Provided by publisher. 504 $a Includes bibliographical references and index. 505 0 $a The curator -- The spectator -- Curated exhibitions -- Aesthetics -- Meaning-making -- Artistic direction -- The UÂbercurator. 650 0 $a Art $x Exhibition techniques. 650 0 $a Curatorship $x Philosophy. 650 7 $a Art $x Exhibition techniques. $2 fast $0 (OCoLC)fst00815237 776 08 $i Online version: $a Spaid, Sue. $t Philosophy of curatorial practice $d London ; New York : Bloomsbury Academic, 2020 $z 9781350114906 $w (DLC) 2020026784 941 $a 1 952 $l OVUX522 $d 20220317013807.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=3355417C86E611EB80D4A9DB35ECA4DBInitiate Another SILO Locator Search