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06389aam a2200805Ii 4500 001 2E5D68182E9411E9B5CB1E4197128E48 003 SILO 005 20190212010150 008 171004t20182018gw aco f bc 000 0deng d 020 $a 3791368303 020 $a 9783791368306 020 $a 3791357441 020 $a 9783791357447 020 $a 3791368311 020 $a 9783791368313 020 $a 379135745X 020 $a 9783791357454 035 $a (OCoLC)1005126003 040 $a YDX $b eng $e rda $c YDX $d JPG $d NYP $d ILO $d OCLCF $d OSU $d FDA $d BRL $d SILO 041 1 $a eng $h ger 043 $a e-gx--- 050 4 $a ND588.R48 $b A4 2018 082 04 $a 759.3 $2 23 082 04 $a 700.411 100 1 $a Richter, Gerhard, $d 1932- $e artist. 245 10 $a Gerhard Richter : $b abstraction / $c edited by Ortrud Westheider and Michael Philipp ; exhibition, Dietmar Elger, Ortrud Westheider, with Valerie Hortolani ; with contributions by Janice Bretz [and seven others] ; translations from the German, Steven Lindberg, Allison Moseley, Kate Vanovitch. 246 30 $a Abstraction 264 1 $a Munich, Germany ; $b Prestel, $c [2018] 300 $a 239 pages : $b illustrations (chiefly color), portraits, photographs ; $c 31 cm 490 0 $a Museum Barberini publication series 500 $a Catalog of an exhibition held at Museum Barberini, Potsdam, Germany, June 30 - October 21, 2018. 500 $a "A Publication series by the Museum Barberini." 504 $a Includes bibliographical references. 518 $o "Gerhard Richter: Abstraction" : $d June 30-October 21, 2018, $p Museum Barberini, Potsdam, Germany. 520 8 $a This publication is the first to focus solely on the abstract strategies and processes contained in Gerhard Richter's body of work. In the early 1960s, the artist began to call painting into question, an exploration that continues to occupy him to this day. In the 1970s, he responded to the rejection of painting by creating a series of monochrome works in gray. Moreover, he viewed the color gray as a means of addressing political themes without depicting them in an idealized manner. In his Inpainting series of the 1970s, Richter made brushstrokes and the application of paint his subject. In other works, he photographed small details from his palette and transferred them onto large canvases in a photorealistic manner. In his color charts, he subjected painting to an objective process by leaving the arrangement of the colors to chance. Since 1976, Richter has created a series of abstract works by applying paint with a brush, scraper, and palette knife, alternating between conscious decision-making and random processes. 520 8 $a "Gerhard Richter has explored the possibilities of painting since the 1960s, and abstraction is one of his key themes. This publication is the first to focus on this central aspect of Richter's work. It contextualizes the artistic development and intellectual continuity of one of the most significant artists of our time. Over five decades, Richter has created diverse groups of works that are unified by recurring elements. By deliberately incorporating chance, he minimizes the artist's conscious control of the painting process. Richter emphasizes a grid structure over spontaneous creativity and draws a squeegee across entire canvasses. He eschews subjectivity and references outside of art. These abstract works function on their own terms." $c --publisher's desription, lower cover. 505 00 $g Foreword -- $t Biography of Gerhard Richter / $r Dietmar Elger and Valerie Hortolani. $t Abstraction and semblance in Gerhard Richter's oeuvre / $r Dietmar Elger -- $t Grids and readymades: Gerhard Richter's color chart paintings in the 1960s and 1970s / $r Hubertus Butin -- $t "In painting thinking is painting": the primacy of form in Gerhard Richter's art / $r Armin Zweite -- $t Richter's squeegee: the artist and his tools / $r Matthias KruÂger -- $t Catalog of exhibited works. Structures and illusions: abstract works in the 1960s / $r Valerie Hortolani -- Chance and concept: color charts / $r Dietmar Elger -- $t Gestures and blendings: inpaintings and gray paintings / $r Valerie Hortolani -- $t Blurrings and close-ups: details and early abstract paintings / $r Dietmar Elger -- $t Nature and materials: abstract landscapes / $r Dietmar Elger -- $t Paints and layers: abstract paintings from 1986 to 2005 / $r Kerstin KuÂster -- $t Transparent and reflected: mirrors, glass, and strips / $r Janice Bretz and Kerstin KuÂster -- $t New abstract paintings from 2005 to 2017 / $r Kerstin KuÂster -- $t Biography of Gerhard Richter / $r Dietmar Elger and Valerie Hortolani. 546 $a Text in English, translated from the German. 600 10 $a Richter, Gerhard, $d 1932- $v Exhibitions. 600 10 $a Richter, Gerhard, $d 1932- $x Criticism and interpretation. 600 10 $a Richter, Gerhard, $d 1932- $x Themes, motives. 600 17 $a Richter, Gerhard, $d 1932- $2 fast $0 (OCoLC)fst00015410 650 0 $a Painting, Abstract $z Germany $y 20th century $v Exhibitions. 650 0 $a Painting, Abstract $z Germany $y 21st century $v Exhibitions. 650 0 $a Painting, Modern $y 20th century $v Exhibitions. 650 0 $a Painting, Modern $y 21st century $v Exhibitions. 650 0 $a Male artists $z Germany $y 20th century $v Exhibitions. 650 0 $a Male artists $z Germany $y 21st century $v Exhibitions. 650 7 $a Painting, Abstract. $2 fast $0 (OCoLC)fst01050640 651 7 $a Germany. $2 fast $0 (OCoLC)fst01210272 655 7 $a Exhibition catalogs. $2 lcgft 655 7 $a Essays. $2 lcgft 655 7 $a Illustrated works. $2 lcgft 655 7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028 700 1 $a Westheider, Ortrud, $e editor. 700 1 $a Philipp, Michael, $d 1962- $e editor. 700 1 $a Elger, Dietmar, $e exhibitioner. 700 1 $a Hortolani, Valerie, $e exhibitioner. 700 1 $a Bretz, Janice, $e contributor. 700 1 $a Lindberg, Steven, $e translator. 700 1 $a Moseley, Allison, $e translator. 700 1 $a Vanovitch, Katherine, $e translator. 710 2 $a Museum Barberini (Potsdam, Germany), $e host institution. 710 2 $a Prestel Verlag, $e publisher. 752 $a Germany $b Bavaria $d Munich. 752 $a United Kingdom $b England $d London. 752 $a United States $b New York (State) $d New York. 941 $a 1 952 $l OVUX522 $d 20191210023402.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=2E5D68182E9411E9B5CB1E4197128E48Initiate Another SILO Locator Search