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03098aam a2200373Ii 4500 001 A02F497A6B5511E69AFE1DDBDAD10320 003 SILO 005 20160826010517 008 131027s2014 ilua s001 0 eng d 010 $a 2014936469 020 $a 0252038339 020 $a 9780252038334 035 $a (OCoLC)861676380 040 $a BTCTA $b eng $e rda $c BTCTA $d BDX $d SPI $d YDXCP $d UOK $d TDF $d CDX $d IWA $d SILO 043 $a n-us--- 050 4 $a ML3521 C87x 2014 100 1 $a Cushing, Steve $e author. 245 10 $a Pioneers of the blues revival / $c Steve Cushing ; introduction by Barry Lee Pearson. 264 1 $a Urbana, Illinois : $b University of Illinois Press, $c 2014. 300 $a xxi, 367 pages : $b illustrations ; $c 26 cm. 490 1 $a Music in American life 504 $a Includes index. 505 0 $a Acknowledgments -- Introduction by Barry Lee Pearson -- Preface by Steve Cushing -- Paul Oliver -- Sam Charters -- Pete Whelan -- Dick Waterman -- Gayle Dean Wardlow -- Robert M. W. Dixon -- Bob Koester -- John Broven -- Mike Rowe -- Ray Flerlage -- Jim O'Neal -- Richard K. Spottswood -- Jacques Demetre -- Phil Spiro -- Chris Barber -- David Evans -- Chris Strachwitz -- List of interviews -- Index. 520 $a Steve Cushing, the award-winning host of the nationally syndicated public radio staple Blues before Sunrise, has spent over thirty years observing and participating in the Chicago blues scene. In Pioneers of the Blues Revival, he interviews many of the prominent white researchers and enthusiasts whose advocacy spearheaded the blues' crossover into the mainstream starting in the 1960s. Opinionated and territorial, the American, British, and French interviewees provide fascinating first-hand accounts of the era and movement. Experts including Paul Oliver, Gayle Dean Wardlow, Sam Charters, Ray Flerledge, Paul Oliver, Richard K. Spottswood, and Pete Whelan chronicle in their own words their obsessive early efforts at cataloging blues recordings and retrace lifetimes spent loving, finding, collecting, reissuing, and producing records. They and nearly a dozen others recount relationships with blues musicians, including the discoveries of prewar bluesmen Mississippi John Hurt, Son House, Skip James, and Bukka White, and the reintroduction of these musicians and many others to new generations of listeners. The accounts describe fieldwork in the South, renew lively debates, and tell of rehearsals in Muddy Waters's basement and randomly finding Lightning Hopkins's guitar in a pawn shop. Blues scholar Barry Lee Pearson provides a critical and historical framework for the interviews in an introduction. 650 0 $a Blues musicians $z United States $v Interviews. 650 0 $a Blues musicians $z United States $v Biography. 650 0 $a Blues (Music) 700 0 $a Pearson, Barry Lee. $e writer of introduction. 830 0 $a Music in American life. 941 $a 2 952 $l PLAX964 $d 20230718091728.0 952 $l USUX851 $d 20160826094247.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A02F497A6B5511E69AFE1DDBDAD10320 994 $a C0 $b IWAInitiate Another SILO Locator Search