91 records matched your query
06128aam a2200541Ii 4500 001 9D36CCB26CA011E9A39CB90697128E48 003 SILO 005 20190502010142 008 180707t20182018gw ac b 000 0 eng d 020 $a 3777431125 020 $a 9783777431123 028 52 $a Bestellnummer: 3112 035 $a (OCoLC)1043363451 040 $a AVA $b eng $e rda $c AVA $d ERASA $d YDX $d OHX $d AVA $d CHVBK $d OCLCO $d ZVP $d CIA $d OCLCF $d JPG $d MZA $d KSU $d UAB $d UVV $d SILO 043 $a e------ 050 4 $a GT523 T35 2018 245 00 $a Tailored for freedom : $b the artistic dress around 1900 in fashion, art, and society / $c edited by Ina Ewers-Schultz and Magdalena Holzhey ; with essays by Friederike Berger, Christian BrandstaÌtter, Burcu Dogramaci, Ina Ewers-Schultz, Isa Fleischmann-Heck, Inga Ganzer, Juliane Hahn, Christiane Heiser, Magdalena Holzhey, Antje Neumann, Patricia Ober, Thorsten Scheer, and Karin ThoÌnnissen. 264 1 $a Krefeld : $b Kunstmuseen Krefeld ; $c [2018] 300 $a 288 pages : $b illustrations (some color), portraits ; $c 29 cm 500 $a Published to accompany an exhibition held at Kunstmuseen Krefeld, Kaiser Wilhelm Museum, Krefeld, Germany, 12th October 2018-24th February 2019. 520 $a Though often seen today as a mere expression of individuality, fashion around 1900 became synonymous with the physical and social emancipation of women. Reform movements at the turn of the century strove to achieve a unity of art and life, inspiring artists to experiment with how the design of women's dresses could do more than decorate, cover, and constrict. The clothing designs of famous artists like Heinrich Vogeler, Henry van de Velde, Josef Hoffmann, and Sonia Delaunay revealed both a new aesthetic and a new attitude to the role of women. Their loose forms, flowing fabrics, bold colors, and geometric and floral patterns liberated wearers from the social convention of decades past. 504 $a Includes bibliographical references (pages 258-273). 505 00 $g Introduction: $r Julian Hahn. $g Introduction: $t Skirt and rib: bodies in the gaze / $r Ina Ewers-Schultz and Magdalena Holzhey -- $t The dress as a work of art. -- $t The dress as a work of art, beauty as a weapon, and the concept of the Gesamtkunstwerk: on a new understanding of art around 1900 / $r Ina Ewers-Schultz -- $t Closely tied: the Krefeld Museum director Friedrich Deneken and his European network / $r Inga Ganzer -- $t "The fairies have strewn flowers along the way": the textile designer and GesamtkuÌnstler Henry van de Velde and his Weimar circle / $r Antje Neumann -- $t "The highest intelligence in the freest body!": modern dance as a symbiosis of body and costume / $r Ina Ewers-Schultz -- $t New shapes and decors. -- $t Making an appearance: the fashion frenzy and "new style" in women's clothing around 1900 / $r Isa Fleischmann-Heck -- $t "The artistic elevation of women's dress": Krefeld 1900 and its consequences / $r Magdalena Holzhey -- $t "A miracle how preciously the people here understand their work in silk": Johan Thorn Prikker as a textile artist: from Batik to Krefeld artists' silk / $r Christiane Heiser -- $t Kimono & Co.: the influence of Japan as well as historical and regional garments on fashion around 1900 / $r Isa Fleischmann-Heck -- $t Ambivalent gender roles. -- $t "Since not all women, even if they have taste, are able to invent suitable ornaments": women and their clothes between decoration and emancipation / $r Magdalena Holzhey -- $t "The essential thing is the individual adaptation to the wearer": Anna Muthesius's Das Eigenkleid der Frau / $r Ina Ewers-Schultz -- $t "Antineutral clothing for men": the artistic reform of men's wear / $r Ina Ewers-Schultz -- $t The body under the clothes: nude photography of women in the context of clothing reform / $r Patricia Ober -- $t Staging and communication. -- $t Posing for a new world: artistic dresses and how they were communicated / $r Burcu Dogramaci -- $t The Wiener WerkstaÌtte and the fashion reform / $r Christian BrandstaÌtter -- $t "The art of clothing oneself must be popularized": the artistic reform dress as an ideal, an aesthetic, and consumer culture / $r Friederike Berger -- $t The Omega Workshops: painting in space / $r Karin ThoÌnnissen -- $t Looking back and ahead. -- $t "Deeds not words": on the political iconography of women's dress / $r Thorsten Scheer -- $t Skirt and rib: bodies in the gaze / $r Julian Hahn. 650 0 $a Women's clothing $z Europe $x History $y 20th century $v Exhibitions. 650 0 $a Dresses $z Europe $x History $y 20th century $v Exhibitions. 650 0 $a Fashion and art $x History $y 20th century $v Exhibitions. 650 0 $a Fashion $x History $z Europe $x History $y 20th century $v Exhibitions. 650 0 $a Fashion in art $v Exhibitions. 650 0 $a Clothing and dress in art $v Exhibitions. 700 1 $a Ewers-Schultz, Ina, $e writer of supplementary textual content. $e writer of supplementary textual content. 700 1 $a Holzhey, Magdalena, $e writer of supplementary textual content. $e writer of supplementary textual content. 700 1 $a Berger, Friederike, $e writer of supplementary textual content. 700 1 $a BrandstaÌtter, Christian, $e writer of supplementary textual content. 700 1 $a Dogramaci, Burcu, $e writer of supplementary textual content. 700 1 $a Fleischmann-Heck, Isa, $e writer of supplementary textual content. 700 1 $a Ganzer, Inga, $d 1976- $e writer of supplementary textual content. 700 1 $a Hahn, Juliane, $e writer of supplementary textual content. 700 1 $a Heiser, Christiane, $d 1970- $e writer of supplementary textual content. 700 1 $a Neumann, Antje, $e writer of supplementary textual content. 700 1 $a Ober, Patricia, $e writer of supplementary textual content. 700 1 $a Scheer, Thorsten, $e writer of supplementary textual content. 700 1 $a ThoÌnnissen, Karin, $e writer of supplementary textual content. 710 2 $a Krefelder Kunstmuseen (Germany), $e host institution. 941 $a 2 952 $l OVUX522 $d 20220317015315.0 952 $l USUX851 $d 20190806074759.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=9D36CCB26CA011E9A39CB90697128E48 994 $a C0 $b IWAInitiate Another SILO Locator Search