The Locator -- [(subject = "Themes motives")]

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03925aam a2200385 i 4500
001 48E48F680CD411EEAAE9666853ECA4DB
003 SILO
005 20230617010022
008 220610s2023    gauag    b    001 0 eng  
010    $a 2022027193
020    $a 0820362492
020    $a 9780820362496
035    $a (OCoLC)1340657111
040    $a DLC $b eng $e rda $c DLC $d OCLCF $d YDX $d UKMGB $d CLE $d SILO
042    $a pcc
050 00 $a NX652.D28 $b P73 2023
082 00 $a 700/.451 $2 23/eng/20220810
245 00 $a Praise songs for Dave the potter : $b art and poetry for David Drake / $c edited and with an introduction by P. Gabrielle Foreman ; foreword by Kwame Dawes ; afterword by Evie Shockley.
264  1 $a Athens : $b The University of Georgia Press, $c [2023]
300    $a xxi, 223 pages : $b color illustrations, music ; $c 28 cm
504    $a Includes bibliographical references and index.
505 0  $a David Drake verses -- Exploring Jonathan Green's Sir Dave in Context / P. Gabrielle Foreman -- All My Relation Poetry with Sir Dave Paintings / Jonathan Green and Glenis Redmond -- Reading Glenis Redmond's All My Relation More Closely / P. Gabrielle Foreman -- Black Belonging and Collaborative History Making: A Conversation with Jonathan Green, Glenis Redmond, and P. Gabrielle Foreman -- Paintings, Poetry, and Place / Glenis Redmond -- Dave the Potter: A Theatrical Production Sharing His Legacy / Lynnette Young Overby -- Black Artists as Cultural Historians: Jonathan Green, Carrie Mae Weems, and David Drake / P. Gabrielle Foreman.
520    $a "David Drake is recognized as one of the United States' most accomplished nineteenth-century potters. Yet, though his pots-many inscribed with original verse-sit in museums across the nation, he is too often passed over when considering the early foundations of African American poetry. Born in South Carolina at the beginning of the nineteenth century, Drake produced hundreds of pieces while under the surveillance of the enslavers who claimed him and his work as their property. Still, asserts P. Gabrielle Foreman, he is perhaps the only Black person in all of the free or slave states whose literary work was preserved in neither books nor pamphlets nor newspapers. His pots and jars served as pages as well as ceramic vessels. This book examines how Drake's pottery and poetry have inspired visual artists and poets who claim him as an artistic ancestor. It features the Sir Dave (1998) series by artist Jonathan Green, including thirteen paintings that have never been exhibited or published together before. Accompanying and in dialogue with Green's paintings is a twenty-poem cycle called All My Relation (2015) by Glenis Redmond. Praise Songs includes the editor's interview of Redmond and Green and essays by Redmond, Foreman, and Lynnette Young Overby, the artistic director of a 2014 collaboration and performance featuring both Green's and Redmond's work. As one of the first volumes to focus on Drake's legacy as a writer, it also includes an updated compilation of all David Drake's poetic inscriptions. This volume presents the artistic legacy of one of the most well-known Black potters, and one of the most innovative and underappreciated enslaved poets, of the nineteenth century"-- $c Provided by publisher.
600 00 $a Dave, $d active 1834-1864.
600 10 $a Green, Jonathan, $d 1955- $t Sir Dave.
600 00 $a Dave, $d active 1834-1864 $v Poetry.
600 07 $a Dave, $d active 1834-1864. $2 fast $0 (OCoLC)fst01815017
650  0 $a African American arts $x Themes, motives.
655  7 $a Poetry. $2 fast $0 (OCoLC)fst01423828
700 1  $a Foreman, P. Gabrielle $q (Pier Gabrielle), $e editor.
700 1  $a Dawes, Kwame Senu Neville, $d 1962- $e writer of foreword.
700 1  $a Shockley, Evie, $d 1965- $e writer of afterword.
941    $a 1
952    $l OVUX522 $d 20231117023413.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=48E48F680CD411EEAAE9666853ECA4DB

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