The Locator -- [(subject = "Postcards")]

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02724aam a2200397 i 4500
001 1EA3580CC4A211E9B0E1DB5297128E48
003 SILO
005 20190822010014
008 181002t20192019enka     bc   001 0 eng d
010    $a 2018906157
020    $a 0500480435
020    $a 9780500480434
035    $a (OCoLC)1079197371
040    $a UKMGB $b eng $e rda $c UKMGB $d OCLCF $d OCLCO $d TOH $d COO $d YDX $d UAB $d NZAUC $d ERASA $d BDX $d EAU $d INU $d VI# $d IOU $d SILO
050  4 $a NC1871.5.G7 $b L663 2019
082 04 $a 741.68309 $2 23
100 1  $a Cooper, Jeremy, $d 1946- $e author.
245 14 $a The world exists to be put on a postcard : $b artists' postcards from 1960 to now / $c Jeremy Cooper.
246 3  $a Artists' postcards from 1960 to now
264  1 $a London : $b Thames & Hudson, $c 2019.
300    $a 160 pages : $b illustrations (some color) ; $c 22 x 23 cm
500    $a Published on the occasion of an exhibition held at the British Museum, February 7-August 4, 2019.
504    $a Includes bibliographical references and index.
505 0  $a Foreword -- Introduction -- Artists' work with postcards: definition and significance -- 1. 1960s and 1970s -- 2. Graphic postcards -- 3. Postcard invitations -- 4. Political postcards -- 5. Altered postcards -- 6. Portrait postcards -- 7. Sets of postcards -- 8. Composite postcards -- 9. Recent postcards -- Notes -- Further reading and acknowledgments -- List of illustration references -- Picture credits -- Index.
520    $a Postcards are often bought quickly and disposed of without much thought. Artists' postcards, however, from the 1960s onwards, are a significant part of the history of contemporary art. The ready familiarity of a tourist postcard means it has rich potential to be subverted, with recognizable images appropriated or manipulated for political, satirical, revolutionary or playful intent. The only requirement is that it fits through a letterbox and, unlike traditional works of art, requires nothing more than a stamp for it to be seen on the other side of the world. Being made of everyday material, postcards invite handling, ask to be included in our lives, picked up, turned over and shown to friends. The inexpensiveness of production encourages artists to experiment with their design.
650  0 $a Postcards $x History.
650  0 $a Postcards as art material $x History.
710 2  $a British Museum, $e host institution.
941    $a 5
952    $l KAPF566 $d 20230331013758.0
952    $l GEPG771 $d 20210722061809.0
952    $l UQAX771 $d 20200208014252.0
952    $l OVUX522 $d 20191214022509.0
952    $l BAPH771 $d 20190822010208.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=1EA3580CC4A211E9B0E1DB5297128E48
994    $a C0 $b IOU

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