The Locator -- [(subject = "Poetry Medieval--History and criticism")]

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01719aam a2200373 i 4500
001 A88C2B5E96A311E292AB4FEFDAD10320
003 SILO
005 20130327010036
008 111108s2012    ilua     b    001 0 eng c
010    $a 2011046238
020    $a 0226280519 (cloth : alkaline paper)
020    $a 9780226280516 (cloth : alkaline paper)
035    $a (OCoLC)756577785
040    $a ICU/DLC $e rda $b eng $c CGU $d DLC $d BTCTA $d UKMGB $d BDX $d YDXCP $d BWX $d IUL $d COO $d OCLCO $d PUL $d ERASA $d STF $d YUS $d SILO
042    $a pcc
043    $a e------
050 00 $a PN688 $b .G35 2012
082 00 $a 809.1/02 $2 23
100 1  $a Galvez, Marisa.
245 10 $a SONGBOOK : $b How Lyrics Became Poetry in Medieval Europe / $c MARISA GALVEZ.
264  1 $a Chicago : $b THE UNIVERSITY OF CHICAGO PRESS, $c [2012]
300    $a xi, 281 pages : $b illustrations ; $c 24 cm.
505 0  $a The medieval songbook as emergent genre -- Paradigms: the Carmina Burana and the Libro de Buen Amor -- Producing opaque coherence: lyric presence and names in songbooks -- Shifting mediality: visualizing lyric texts in songbooks -- Cancioneros and the art of the songbook -- Conclusion: songbook medievalisms.
504    $a Includes bibliographical references (pages 253-268) and index.
650  0 $a Songbooks $z Europe.
650  0 $a Poetry, Medieval $x History and criticism.
650  0 $a Lyric poetry $x History and criticism.
650  0 $a Illumination of books and manuscripts, Medieval $z Europe.
650  0 $a Art and literature.
941    $a 3
952    $l OVUX522 $d 20180116043407.0
952    $l USUX851 $d 20160826052810.0
952    $l UNUX074 $d 20130327010353.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A88C2B5E96A311E292AB4FEFDAD10320

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