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04040aam a2200457 i 4500 001 A51C6AD0DA3111EB950CCE9F56ECA4DB 003 SILO 005 20210701010029 008 200630s2021 nyua b 001 0 eng 010 $a 2020029605 020 $a 0190658290 020 $a 9780190658298 035 $a (OCoLC)1163949252 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d BDX $d YDX $d OCLCF $d ERASA $d YDX $d YUS $d SILO 042 $a pcc 043 $a e-fr--- 050 00 $a ML3917.F8 $b R65 2021 082 00 $a 780.944/0904 $2 23 100 1 $a Rogers, Jillian C., $e author. 245 10 $a Resonant recoveries : $b French music and trauma between the world wars / $c Jillian C. Rogers. 264 1 $a New York, NY : $b Oxford University Press, $c [2021] 300 $a xxvi, 364 pages : $b illustrations ; $c 25 cm 504 $a Includes bibliographical references and index. 505 0 $a Introduction. "La Plus Grande Consolatrice" : Music as a Corporeal Technology of Consolation in Interwar France -- Music Making as Emotional Care: Negotiating Trauma, Expressional Norms, and Politics in Wartime France -- Embodying Sonic Resonance As/After Trauma : Vibration, Music, and Medicine -- Soothing Movements : The Consolatory Potential of Musique DeÌpouilleÌ's Rhythm and Repetition -- In Search of a Consolatory Past : Grief and Embodied Musical Memory -- Rire as Release and Rapport : Pleasure and Laughter in French Interwar Musical Theater -- Conclusion. Touched by Music Making : Intimacy and Love in the Wake of Trauma. 520 $a "French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"-- $c Provided by publisher. 650 0 $a World War, 1914-1918 $z France $x Music and the war. 650 0 $a Music $z France $x History $x History $y 20th century. 650 0 $a Music $z France $y 20th century $x History and criticism. 650 0 $a World War, 1914-1918 $z France $x Psychological aspects. 650 7 $a Music. $2 fast $0 (OCoLC)fst01030269 650 7 $a Music and war. $2 fast $0 (OCoLC)fst01030492 650 7 $a Music $x Psychological aspects. $2 fast $0 (OCoLC)fst01030418 650 7 $a Psychological aspects. $2 fast $0 (OCoLC)fst01354086 651 7 $a France. $2 fast $0 (OCoLC)fst01204289 648 7 $a 1900-1999 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 941 $a 1 952 $l UNUX074 $d 20210701010457.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A51C6AD0DA3111EB950CCE9F56ECA4DB 994 $a Z0 $b NIUInitiate Another SILO Locator Search