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03516aam a2200385 i 4500 001 7C1A15C8AEF911EB87B7F7C926ECA4DB 003 SILO 005 20210507010010 008 200506t20202020ilua b 001 0 eng 010 $a 2020020770 020 $a 0252085477 020 $a 9780252085475 020 $a 025204357X 020 $a 9780252043574 035 $a (OCoLC)1142509336 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d GO6 $d OCLCO $d YDX $d NTG $d KSU $d TDF $d LNT $d PTS $d BBW $d OCLCQ $d IOU $d SILO 042 $a pcc 050 00 $a ML3187 $b .H34 2020 082 00 $a 782.25/409 $2 23 100 1 $a Harold, Claudrena N., $e author. 245 10 $a When Sunday comes : $b gospel music in the soul and hip-hop eras / $c Claudrena N. Harold. 246 30 $a Gospel music in the soul and hip-hop eras 264 1 $a Urbana : $b University of Illinois Press, $c [2020] 300 $a x, 251 pages : $b illustrations ; $c 24 cm 490 1 $a Music in American life 520 $a Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, AndraeÌ Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves-- $c Provided by publisher 504 $a Includes bibliographical references (pages 235-245) and index. 505 00 $t Do You Want a Revolution? : Kirk Franklin, Yolanda Adams, and the Beginning of a New Era in Gospel Music. $t Special Kind of Witness : AndraeÌ Crouch, the Growth of Contemporary Christian Music, and the Politics of Race -- $t Hold My Mule : Shirley Caesar and the Gospel of the New South -- $t Wonderful Change : Walter Hawkins and the Love Alive Explosion -- $t Higher Plane : The Gospel According to Al Green -- $t Only Thing Right Left in a Wrong World : the Clark Sisters, the Winans, Commissioned, and the Search for Cultural Authority in the 1980s -- $t If I Be Lifted : Milton Brunson and the Thompson Community Singers -- $t Through It All : Vanessa Bell Armstrong and the Perils of Crossover -- $t Hold Up the Light : The Crossover Success of BeBe and CeCe Winans -- $t Outside the County Line : the Southern Soul of John P. Kee -- $t We Are the Drum : Take 6, the Sounds of Blackness, and the New Black Aesthetic -- $g Epilogue : $t Do You Want a Revolution? : Kirk Franklin, Yolanda Adams, and the Beginning of a New Era in Gospel Music. 650 0 $a Gospel music $y 20th century $x History and criticism. 650 0 $a African Americans $x History and criticism. $x History and criticism. 830 0 $a Music in American life. 941 $a 1 952 $l BAPH771 $d 20210507010101.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=7C1A15C8AEF911EB87B7F7C926ECA4DB 994 $a C0 $b IOUInitiate Another SILO Locator Search