324 records matched your query
04135aam a2200457 i 4500 001 3E80B728475911E7B35354A3DAD10320 003 SILO 005 20170602010157 008 170301s2017 inua b 001 0 eng 010 $a 2016058504 020 $a 0268101671 020 $a 9780268101671 020 $a 0268101663 020 $a 9780268101664 035 $a (OCoLC)962232428 040 $a DLC $b eng $e rda $c DLC $d BTCTA $d YDX $d BDX $d OCLCO $d OCLCF $d YDX $d OCLCO $d SILO 042 $a pcc 050 00 $a PR418.P47 $b E83 2004 082 00 $a 820.9/003 $2 23 084 $a LIT014000 $a LIT004120 $a LIT014000 $2 bisacsh 100 1 $a Escobedo, Andrew, $d 1967- $e author. 245 10 $a Volition's face : $b personification and the will in Renaissance literature / $c Andrew Escobedo. 264 1 $a Notre Dame, Indiana : $b University of Notre Dame Press, $c [2017] 300 $a xii, 326 pages ; $c 23 cm. 490 1 $a ReFormations: Medieval and Early Modern 505 0 $a Personification, energy, and allegory -- The prosopopoetic will: ours, though not we -- Conscience in the Tudor interludes -- Despair in Marlowe and Spenser -- Love and Spenser's Cupid -- Sin and Milton's Angel -- Epilogue: Premodern personification and posthumanism? 520 $a "Modern readers and writers find it natural to contrast the agency of realistic fictional characters to the constrained range of action typical of literary personifications. Yet no commentator before the eighteenth century suggests that prosopopoeia signals a form of reduced agency. Andrew Escobedo argues that premodern writers, including Spenser, Marlowe, and Milton, understood personification as a literary expression of will, an essentially energetic figure that depicted passion or concept transforming into action. As the will emerged as an isolatable faculty in the Christian Middle Ages, it was seen not only as the instrument of human agency but also as perversely independent of other human capacities, for example, intellect and moral character. Renaissance accounts of the will conceived of volition both as the means to self-creation and the faculty by which we lose control of ourselves. After offering a brief history of the will that isolates the distinctive features of the faculty in medieval and Renaissance thought, Escobedo makes his case through an examination of several personified figures in Renaissance literature: Conscience in the Tudor interludes, Despair in Doctor Faustus and book I of The Faerie Queen, Love in books III and IV of The Faerie Queen, and Sin in Paradise Lost. These examples demonstrate that literary personification did not amount to a dim reflection of "realistic" fictional character, but rather that it provided a literary means to explore the numerous conundrums posed by the premodern notion of the human will. This book will be of great interest to faculty and graduate students interested in Medieval studies and Renaissance literature. "This exhilarating and brilliant book will be a most welcome and timely addition to the ReFormations series, to which it will add distinction. It is also a book that can be relished sentence by sentence, as Escobedo is a writer of intellectual verve and boldness, making hard-won claims look obvious once made." --Sarah Beckwith, Duke University"-- $c Provided by publisher. 504 $a Includes bibliographical references and index. 650 0 $a English literature $y Early modern, 1500-1700 $x History and criticism. 650 0 $a Personification in literature. 650 0 $a Will in literature. 650 7 $a LITERARY CRITICISM / Renaissance. $2 bisacsh 650 7 $a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. $2 bisacsh 650 7 $a LITERARY CRITICISM / Poetry. $2 bisacsh 776 08 $i Online version: $a Escobedo, Andrew, 1967- author. $t Volition's face $d Notre Dame : University of Notre Dame Press, 2017 $z 9780268101688 $w (DLC) 2017020114 830 0 $a Reformations. 941 $a 2 952 $l USUX851 $d 20200702012852.0 952 $l OVUX522 $d 20171221054632.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=3E80B728475911E7B35354A3DAD10320 994 $a 92 $b IWAInitiate Another SILO Locator Search