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03375aam a22005658i 4500 001 12C2211A1D3311E4AFEA258CDAD10320 003 SILO 005 20140806010537 008 131028s2014 ilua bc 000 0 eng 010 $a 2013042967 020 $a 0865592640 (green) 020 $a 9780865592643 (green) 020 $a 0865592632 (red) 020 $a 9780865592636 (red) 020 $a 030020390X (trade edition, yellow) 020 $a 9780300203905 (trade edition, pbk., yellow) 035 $a (OCoLC)858351612 040 $a DLC $b eng $e rda $c DLC $d BTCTA $d BDX $d OCLCO $d UKMGB $d YDXCP $d CAM $d SILO 042 $a pcc 050 00 $a TR647 $b .W544 2014 082 00 $a 770.92 $2 23 084 $a PHO011030 $a ART015110 $a ART006000 $a ART008000 $a PHO011030 $2 bisacsh 245 00 $a Christopher Williams : $b the production line of happiness / $c Mark Godfrey, Roxana Marcoci, Christopher Williams, and Matthew S. Witkovsky. 246 30 $a Production line of happiness 250 $a First edition. 263 $a 1402 264 1 $a Chicago : $b Art Institute of Chicago, $c 2014. 300 $a 190 pages : $b color illustrations ; $c 27 cm 500 $a Published in conjunction with an exhibition of the same title organized by the Art Institute of Chicago in association with the Museum of Modern Art, New York, and held at the Art Institute of Chicago, January 25-May 18, 2014; Museum of Modern Art, New York, August 2-November 2, 2014; and Whitechapel Gallery, London, April-June 2015. 500 $a Yellow edition. 500 $a Pages 167-186 are Supplement.l 520 $a "Chronologically examining the nature of his art within the context of mass media and photojournalism, this handsome volume charts the thirty-year career of the artist and photographer Christopher Williams (b. 1956). Featuring 100 color illustrations, the book also includes a trio of essays by authors Mark Godfrey, Roxana Marcoci, and Matthew S. Witkovsky that demonstrate how Williams, with high craft and a critical eye, deliberately engages yet reinterprets the conventions of photojournalism, picture archives, and commercial imagery through uncanny mimicry. Committed to the history of photography as a medium of art and intellectual inquiry, Williams's current series tackles the interplay of photography and cinema, upending viewer expectations and the role of spectacle"-- $c Provided by publisher. 504 $a Includes bibliographical references (pages 154-160). 650 0 $a Photography, Artistic $v Exhibitions. 600 10 $a Williams, Christopher, $d 1956- $v Exhibitions. 650 7 $a ART / Individual Artists / Monographs. $2 bisacsh 650 7 $a ART / History / Contemporary (1945-). $2 bisacsh 650 7 $a ART / Collections, Catalogs, Exhibitions / General. $2 bisacsh 650 7 $a ART / Conceptual. $2 bisacsh 650 7 $a PHOTOGRAPHY / Individual Photographers / Monographs. $2 bisacsh 700 1 $a Godfrey, Mark $q (Mark Benjamin) 700 1 $a Marcoci, Roxana. 700 12 $a Williams, Christopher, $d 1956- $t Works. $k Selections. 700 12 $a Witkovsky, Matthew S., $d 1967- $t Learning from Los Angeles. 710 2 $a Art Institute of Chicago. 710 2 $a Museum of Modern Art (New York, N.Y.) 710 2 $a Whitechapel Art Gallery. 941 $a 1 952 $l OVUX522 $d 20191213023034.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=12C2211A1D3311E4AFEA258CDAD10320Initiate Another SILO Locator Search