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04039aam a2200421Ii 4500 001 EFEBB73AE96D11E8978F920F97128E48 003 SILO 005 20181116010210 008 170918t20182018enka b 001 0 eng d 020 $a 9781526121943 020 $a 1526121948 035 $a (OCoLC)1004042356 040 $a YDX $b eng $e rda $c YDX $d BDX $d CDX $d OCLCA $d OCLCF $d QGJ $d NGU $d U3W $d SILO 043 $a e-uk--- 050 4 $a PR4147 $b .W48 2018 082 04 $a 821/.7 $2 23 245 00 $a William Blake's gothic imagination : $b bodies of horror / $c edited by Chris Bundock and Elizabeth Effinger. 264 1 $a Manchester : $b Manchester University Press, $c 2018. 300 $a xiv, 297 pages : $b illustrations ; $c 23 cm 504 $a Includes bibliographical references (pages 265-283) and index. 505 00 $g 10. $r Tristanne Connolly. $g Part I: The bounding line of Blake's Gothic: forms, genres, and contexts. $g 1. $t 'Terrible Thunders' and 'Enormous Joys': potency and degeneracy in Blake's Vision and James Graham's celestial bed / $r David Baulch -- $g 2. $t The horror of Rahab: towards an aesthetic context for William Blake's 'Gothic' form / $r Kiel Shaub -- $g 3. $t The Gothic sublime / $r Claire Colebrook -- $g Part II: The misbegotten. $g 4. $t Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus / $r Jason Whittaker -- $g 5. $t William Blake's monstrous progeny: anatomy and the birth of horror in The [First] Book if Urizen / $r Lucy Cogan -- $g 6. $t Blake's Gothic humour: the spectacle of dissection / $r Stephanie Codsi -- $g Part III: Female space and the image. $g 7. $t The horrors of cration: globes, englobing powers, and Blake's archaeologies of the present / $r Peter Otto -- $g 8. $t Female spaces and the Gothic imagination in The Book of Thel and Visions of the Daughters of Albion / $r Ana Elena GonzaÌlez-TrevinÌo -- $g Part IV: Sex, desire, perversion. $g 9. $t The horrors of subjectivity / the jouissance of immanence / $r Mark Lussier -- $g 10. $t 'Terrible Thunders' and 'Enormous Joys': potency and degeneracy in Blake's Vision and James Graham's celestial bed / $r Tristanne Connolly. 520 8 $a Scholars of the Gothic have long recognised Blake's affinity with the genre. Yet, to date, no major scholarly study focused on Blake's intersection with the Gothic exists. William Blake's gothic imagination seeks to redress this disconnect. The papers here do not simply identify Blake's Gothic conventions but, thanks to recent scholarship on affect, psychology, and embodiment in Gothic studies, reach deeper into the tissue of anxieties that take confused form through this notoriously nebulous historical, aesthetic, and narrative mode. The collection opens with papers touching on literary form, history, lineation, and narrative in Blake's work, establishing contact with major topics in Gothic studies. Then refines its focus to Blake's bloody, nervous bodies, through which he explores various kinds of Gothic horror related to reproduction, anatomy, sexuality, affect, and materiality. Rather than transcendent images, this collection attends to Blake's 'dark visions of torment'.-- $c Publisher's website. 600 10 $a Blake, William, $d 1757-1827 $x Criticism and interpretation. 600 17 $a Blake, William, $d 1757-1827. $2 fast $0 (OCoLC)fst00029047 650 0 $a Gothic poetry (Literary genre), English $x History and criticism. 650 0 $a Gothic revival (Literature) $z Great Britain $x History. 650 7 $a Gothic poetry (Literary genre), English. $2 fast $0 (OCoLC)fst01762638 650 7 $a Gothic revival (Literature) $2 fast $0 (OCoLC)fst00945084 651 7 $a Great Britain. $2 fast $0 (OCoLC)fst01204623 650 7 $a Literature. $2 ukslc 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 700 1 $a Bundock, Christopher, $e editor. $4 edt 700 1 $a Effinger, Elizabeth, $e editor. $4 edt 941 $a 2 952 $l PLAX964 $d 20230718093118.0 952 $l OVUX522 $d 20190212025145.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=EFEBB73AE96D11E8978F920F97128E48Initiate Another SILO Locator Search