The Locator -- [(subject = "Printing--Great Britain--History")]

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03177aam a2200469 a 4500
001 DA0D5F0C6A8C11E689525693DAD10320
003 SILO
005 20160825010506
008 110401s2011    nyua     b    001 0 eng  
010    $a 2011012693
020    $a 0203817354 (ebk.)
020    $a 9780203817353 (ebk.)
020    $a 0415890829 (acid-free paper)
020    $a 9780415890823 (acid-free paper)
035    $a (OCoLC)666242821
040    $a DLC $b eng $c DLC $d YDX $d BTCTA $d YDXCP $d ERASA $d BWX $d STF $d CDX $d SILO
042    $a pcc
043    $a e-uk---
050 00 $a PR935 M36 2011
084    $a LIT007000 $a SOC032000 $a LIT007000 $2 bisacsh
100 1  $a Mannheimer, Katherine.
245 10 $a Print, visuality, and gender in eighteenth-century satire : $b "the scope in ev'ry page" / $c Katherine Mannheimer.
260    $a New York : $b Routledge, $c 2011.
300    $a ix, 236 p. : $b ill. ; $c 24 cm.
490 1  $a Routledge studies in eighteenth-century literature ; $v 8
504    $a Includes bibliographical references (p. [218]-229) and index.
520    $a "This study interprets eighteenth-century satire's famous typographical obsession as a fraught response to the Enlightenment's "ocularcentric" epistemological paradigms, and to a print-cultural moment identified by book-historians as increasingly "visual"--as the first to pay widespread attention to format, layout, and visual advertising strategies. The Augustans were convinced of the ability of their texts to function as a kind of optical machinery rivaling that of the New Science, enhancing readers' physical and moral vision, while at the same time they feared the dangers of an overly-scrutinizing gaze as one that might undermine the viewer's natural faculty for candor, sympathy, delight, and desire. Mannheimer studies this distrust of the empirical gaze, and its applications in print, to the inherent gender politics and broader ethical concerns of ocularcentrism in the works of Montagu, Swift, Pope, and Fielding. These writers sought to ensure that print itself never became either a mere tool of, or an inert object for, the gaze, but rather that it remained a dynamic and interactive medium by which readers could learn both to see and to see themselves seeing"-- $c Provided by publisher.
650  0 $a Satire, English $x History and criticism.
650  0 $a Verse satire, English $x History and criticism.
650  0 $a English literature $y 18th century $x History and criticism.
600 00 $a Swift, Jonathan, $d 1667-1745 $x Criticism and interpretation.
600 00 $a Pope, Alexander, $d 1688-1744 $x Criticism and interpretation.
600 10 $a Montagu, Mary Wortley, $c Lady, $d 1689-1762 $x Criticism and interpretation.
650  0 $a Vision in literature.
650  0 $a Printing $z Great Britain $x History $y 18th century.
650  0 $a Authors and readers $z Great Britain $x History $y 18th century.
650  0 $a Women and literature $z Great Britain $x History $y 18th century.
830  0 $a Routledge studies in eighteenth-century literature $v 8.
941    $a 1
952    $l USUX851 $d 20160825094422.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=DA0D5F0C6A8C11E689525693DAD10320
994    $a C0 $b IWA

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