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02565aam a2200385 i 4500 001 4753F71C4DCE11E89F5D1D5C97128E48 003 SILO 005 20180502010046 008 170707s2018 flu b 001 0 eng c 010 $a 2017032198 020 $a 1683400240 020 $a 9781683400240 035 $a (OCoLC)1004769675 040 $a FUG/DLC $b eng $e rda $c FUG $d DLC $d OCLCF $d OCLCO $d OCLCQ $d ERASA $d YDX $d YDX $d OCLCO $d TJC $d CUY $d UPM $d IAY $d MBB $d COD $d COO $d IUL $d SILO 042 $a pcc 043 $a cl----- 050 00 $a HM647 R36 2018 100 1 $a Ramos, Juan G., $e author. 245 10 $a Sensing decolonial aesthetics in Latin American arts / $c Juan G. Ramos. 264 1 $a Gainesville : $b University of Florida Press, $c [2018] 300 $a x, 254 pages ; $c 24 cm 504 $a Includes bibliographical references and index. 505 0 $a Sensing otherwise -- The poetics of sensing: decolonial verses in antipoetry and conversational poetry -- Decolonial sounds: redolent echoes of nueva cancioÌn -- Decolonial visuality and new Latin American cinema -- Decolonial aesthetics in Latin America -- Conclusion: Sensing the irresolute past in the present. 520 $a This book proposes a critical reevaluation of antipoetry, nueva cancioÌn, and third cinema in relation to decolonial theory and contemporary aesthetic inquiries. A prime objective of the book as a whole is to bring these separate art forms into dialogue with each as collectively contributing to an archive of decolonial art forms. 650 0 $a Counterculture $z Latin America. 650 0 $a Decolonization in art. 650 0 $a Decolonization in literature. 650 0 $a Aesthetics, Latin American. 880 4 $6 264-00 $c �20 880 0 $6 505-00 $a Sensing otherwise -- The poetics of sensing: decolonial verses in antipoetry and conversational poetry -- Decolonial sounds: redolent echoes of nueva canci�on -- Decolonial visuality and new Latin American cinema -- Decolonial aesthetics in Latin America -- Conclusion: Sensing the irresolute past in the presen 880 $6 520-00 $a This book proposes a critical reevaluation of antipoetry, nueva canci�on, and third cinema in relation to decolonial theory and contemporary aesthetic inquiries. A prime objective of the book as a whole is to bring these separate art forms into dialogue with each as collectively contributing to an archive of decolonial art form 941 $a 1 952 $l USUX851 $d 20180605014050.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=4753F71C4DCE11E89F5D1D5C97128E48 994 $a C0 $b IWAInitiate Another SILO Locator Search