The Locator -- [(subject = "Sound studios")]

100 records matched your query       


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02882agm a2200361Ii 4500
001 696AB398F11E11E79D0FC10F97128E48
003 SILO
005 20180104010254
007 vd csaizu
008 141230t20142014ilu015            vleng d
035    $a (OCoLC)898997680
040    $a NUI $e rda $c NUI $d UtOrBLW $d SILO
100 1  $a Stratman, Deborah, $e filmmaker. $0 http://id.loc.gov/authorities/names/no2007158614
245 10 $a Hacked Circuit / $c Video Data bank presents.
264  1 $a [Chicago, Ill.] : $b Video Data Bank, $c [2014]
300    $a 1 videodisc, approximately 15 min. : $b sound, color ; $c 4 3/4 in.
340    $a plastic $a plastic $b 4 3/4 in.
540    $a LICENSE RESTRICTION- NO ILL.
538    $a Blu-ray
508    $a Director of photography, Norbert Shieh.
511 1  $a Greg Barbanell (Foley artist), Darrin Mann (stage mix engineer).
520    $a "A single-shot, choreographed portrait of the Foley process, revealing multiple layers of fabrication and imposition. The circular camera path moves us inside and back out of a Foley stage in Burbank, CA. While portraying sound artists at work, typically invisible support mechanisms of filmmaking are exposed, as are, by extension and quotation, governmental violations of individual privacy. The scene being foleyed is the final sequence from The Conversation where Gene Hackman's character Harry Caul tears apart his room searching for a 'bug' that he suspects has been covertly planted. The look of Caul's apartment as he tears it apart mirrors the visual chaos of the Foley stage. This mirroring is also evident in the dual portraits of sonic espionage expert Caul and Foley artist Gregg Barbanell, for whom professionalism is marked by an invisibility of craft. And in the doubling produced by Hackman's second appearance as a surveillance hack, twenty-four years later in Enemy of the State. These filmic quotations ground Hacked Circuit, evoking paranoia, and a sense of conviction alongside a lack of certainty about what is visible. The complication of the seen, the known, the heard and the undetectable provides thematic parallels between the stagecraft of Foley and a pervasive climate of government surveillance." -- www.pythagorasfilm.com.
650  0 $a Sound studios. $0 http://id.loc.gov/authorities/subjects/sh85125401
650  0 $a Sounds. $0 http://id.loc.gov/authorities/subjects/sh85125411
700 1  $a Barbanell, Greg.
700 1  $a Mann, Darrin.
700 1  $a Shieh, Norbert, $e director of photography.
710 2  $a Pythagoras Film (Firm), $e production company. $0 http://id.loc.gov/authorities/names/no2010192049
710 2  $a Art Institute of Chicago. $b Video Data Bank, $e publisher. $0 http://id.loc.gov/authorities/names/n81123061
941    $a 1
945    $a blu
952    $l OVUX522 $d 20180104050246.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=696AB398F11E11E79D0FC10F97128E48

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