The Locator -- [(subject = "Social Science Feminism")]

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03815aam a2200457 i 4500
001 90EB5CB200D511E888826E0497128E48
003 SILO
005 20180124010218
008 160915t20172017enkaf    b    001 0 eng  
010    $a 2016041060
020    $a 1472569415
020    $a 9781472569417
020    $a 1472569407
020    $a 9781472569400
035    $a (OCoLC)958876560
040    $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d ZLM $d OCLCQ $d YDX $d YDX $d OCLCO $d EYM $d UtOrBLW $d SILO
042    $a pcc
050 00 $a N72.F45 $b S59 2017 $0 http://id.loc.gov/authorities/classification/N
082 00 $a 704/.042 $2 23
084    $a DES013000 $a DES013000 $2 bisacsh
100 1  $a Skelly, Julia, $e author. $0 http://id.loc.gov/authorities/names/n2013057057
245 10 $a Radical decadence : $b excess in contemporary feminist textiles and craft / $c Julia Skelly.
264  1 $a London, UK ; $b Bloomsbury Academic, $c 2017.
300    $a xi, 125 pages, 16 unnumbered pages of plates : $b illustrations (some color) ; $c 25 cm
504    $a Includes bibliographical references and index.
520    $a "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic."--Publisher's description.
505 0  $a Introduction: decadence, feminism and "excess" -- Consuming craft, cupcakes, and cocaine: Orly Cogan, Shane Waltener, and Shelley Miller -- Pleasure craft: Nava Lubelski, Mickalene Thomas, and Shary Boyle -- Bad women? Tracey Emin, Ghada Amer and Allyson Mitchell -- "The decaying fabrics of life and death": Rozanne Hawksley's textile art.
650  0 $a Feminism and art. $0 http://id.loc.gov/authorities/subjects/sh85047746
650  0 $a Women artists. $0 http://id.loc.gov/authorities/subjects/sh85147447
650  0 $a Art and craft debate. $0 http://id.loc.gov/authorities/subjects/sh2013001401
650  0 $a Excess (Philosophy) $0 http://id.loc.gov/authorities/subjects/sh2009009477
650  7 $a SOCIAL SCIENCE $x Feminism & Feminist Theory. $2 bisacsh
650  7 $a DESIGN $x Textile & Costume. $2 bisacsh
650  7 $a Art and craft debate. $2 fast $0 (OCoLC)fst01905282
650  7 $a Excess (Philosophy) $2 fast $0 (OCoLC)fst01763655
650  7 $a Feminism and art. $2 fast $0 (OCoLC)fst00922727
650  7 $a Women artists. $2 fast $0 (OCoLC)fst01177159
776 08 $i Online version: $a Skelly, Julia. $t Radical decadence. $d New York : Bloomsbury Academic, 2017 $z 9781472569424 $w (DLC) 2016043094
941    $a 1
952    $l OVUX522 $d 20191210014255.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=90EB5CB200D511E888826E0497128E48

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