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03685aam a2200469 i 4500 001 3A75EC10C17411E49647BAD4DAD10320 003 SILO 005 20150303010228 008 140205s2014 enkaf b 001 0 eng 010 $a 2014004676 020 $a 1472508815 020 $a 9781472508812 020 $a 1472505484 020 $a 9781472505484 035 $a (OCoLC)858895942 040 $a DLC $b eng $e rda $c DLC $d YDX $d BTCTA $d BDX $d OCLCF $d YDXCP $d UKMGB $d OCLCO $d IUL $d OCLCQ $d MUU $d CDX $d COO $d STF $d SILO 042 $a pcc 050 00 $a PN1998.3.L96 $b M37 2014 082 00 $a 791.4302/33092 $2 23 084 $a DES000000 $a ARC001000 $a ART057000 $a DES000000 $2 bisacsh 100 1 $a Martin, Richard, $d 1981- 245 14 $a The architecture of David Lynch / $c Richard Martin. 264 1 $a London ; $b Bloomsbury, $c 2014. 300 $a x, 230 pages, 32 unnumbered pages of plates : $b illustrations (some color) ; $c 23 cm 504 $a Includes bibliographical references (pages 213-221) and index. 505 0 $a Prologue: Three Journeys -- Introduction: Mapping the Lost Highway -- 1. Town and City -- 2. Home -- 3. Road -- 4. Stage -- 5. Room. 520 $a "Home to some of the most remarkable spaces in contemporary culture, the cinema of David Lynch demonstrates an acute awareness of architecture. From the urban wastelands of Eraserhead to the eerie Red Room in Twin Peaks, Lynch's architecture is anxious, absurd and utterly distinct. Contemporary architects such as Peter Eisenman, Frank Gehry and Jean Nouvel have responded to these spaces in fascinating ways. This book is the first sustained critical assessment of the role architecture and design play in Lynch's films. What can be learnt about Lynch's films by examining the architecture we see within them? What can be learnt about architecture, especially the spatial developments of post-war America, by examining Lynch's films?Drawing on primary research in ÅoÌdzÌ, London, Los Angeles, Paris and Philadelphia, the book is structured around the prime symbolic spaces found in Lynch's work: the small town, the city, the home, the road, and the stage. A final chapter deals with the singular architecture of Lynch's latest film, Inland Empire, a complex work yet to receive sufficient critical explication. Alongside a broad set of literary, cinematic and artistic comparisons, a diverse range of urban and architectural theorists, including Mike Davis, Jane Jacobs and Richard Sennett, are discussed in a new context. The Architecture of David Lynch will emphasise key architects such as Rem Koolhaas, Le Corbusier, Adolf Loos, Richard Neutra, Jean Nouvel and Frank Lloyd Wright to show how Lynch's films enable us to understand contemporary architecture and demonstrates that Lynch's work prompts a reconsideration of how European modernism has been translated across the Atlantic"-- Provided by publisher. 600 10 $a Lynch, David, $d 1946- $x Criticism and interpretation. 650 0 $a Architecture in motion pictures. 650 0 $a Motion pictures and architecture. 650 7 $a ARCHITECTURE $x General. $2 bisacsh 650 7 $a ARCHITECTURE $x Criticism. $2 bisacsh 650 7 $a ART $x Film & Video. $2 bisacsh 650 7 $a DESIGN $x General. $2 bisacsh 600 17 $a Lynch, David, $d 1946- $2 fast $0 (OCoLC)fst00300017 650 7 $a Architecture in motion pictures. $2 fast $0 (OCoLC)fst00813599 650 7 $a Motion pictures and architecture. $2 fast $0 (OCoLC)fst01749785 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 941 $a 2 952 $l OVUX522 $d 20180110025324.0 952 $l USUX851 $d 20160826103403.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=3A75EC10C17411E49647BAD4DAD10320Initiate Another SILO Locator Search