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03439aam a2200373 i 4500 001 A69BADAA580511E8A8F83C5097128E48 003 SILO 005 20180515010114 008 170711s2018 enkg b 001 0 eng 010 $a 2017033145 020 $a 1108418031 020 $a 9781108418034 035 $a (OCoLC)987432848 040 $a DLC $b eng $e rda $c DLC $d YDX $d BTCTA $d OCLCO $d OCLCA $d OCLCQ $d CHVBK $d OCLCO $d OCLCA $d YDX $d OCLCO $d CBY $d SILO 042 $a pcc 050 00 $a MT90 $b .D35 2018 082 00 $a 781.2/5 $2 23 100 1 $a Damschroder, David, $e author. 245 10 $a Harmony in Mendelssohn and Schumann / $c David Damschroder. 264 1 $a Cambridge, United Kingdom : $b Cambridge University Press, $c 2018. 300 $a xii, 280 pages ; $c 26 cm 504 $a Includes bibliographical references and index. 505 0 $a Preface. Part 1 Methodological orientation: harmonic analysis through listening : Foundational diatonic processes -- Surges -- IVÌæÌÌÅ V -- IÌæÌÌÅ II -- Surging 6-phase chords -- Surges with ninths -- Colorful variants of II -- III along the path from I to V. Part 2 Masterpieces : Mendelssohn: Octet in EÌƯ Major (op.20), movement 1 in response to Greg Vitercik and Benedict Taylor -- Mendelssohn: Song without Words in F Major (op.85, no.1) in response to Allen Cadwallader -- Schumann: "Warum?" from PhantasiestuÂcke (op.12) in response to L. Poundie Burstein -- Mendelssohn: Song without Words in AÌƯ Major (op.53, no.1) in response to Yosef Goldenberg -- Schumann: Three songs from Liederkreis (op.39) in response to Charles Burkhart and David Ferris -- Schumann: "Im wunderschoÂnen Monat Mai" from Dichterliebe (op.48, no.1) in response to Deborah Stein -- Schumann: Sonata in A minor for violin and piano (op.105) in response to Peter H. Smith. Notes -- Select bibliography -- Index of Mendelssohn's works -- Index of Schumann's works -- Index of names and concepts. 520 $a This innovative book continues David Damschroder's radical reformulation of harmonic theory, presenting a dynamic exploration of harmony in the compositions of Mendelssohn and Schumann, two key figures of nineteenth-century classical music. this volume's introductory chapters creatively introduce the basic tenets of the system, with reference to sound files rather than notated music examples permitting a more direct interaction between reader and music. In the Masterpieces section that follows, Damschroder presents detailed analyses of movements from piano, vocal, and chamber music, and compares his outcomes with those of other analysts, including Benedict Taylor, L. Poundie Burstein, and Peter H. Smith. Expanding upon analytical practices from eighteenth and nineteenth centuries, and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - in terms of how Roman numerals are deployed and how musical processes are described in words. 600 10 $a Mendelssohn-Bartholdy, Felix, $d 1809-1847 $x Harmony. 600 10 $a Schumann, Robert, $d 1810-1856 $x Harmony. 600 17 $a Schumann, Robert $d 1810-1856 $2 gnd 600 17 $a Mendelssohn Bartholdy, Felix $d 1809-1847 $2 gnd 650 0 $a Music $y 19th centuty $x Analysis, appreciation. 650 7 $a Harmonik $2 gnd 650 7 $a Musik $2 gnd 941 $a 1 952 $l OVUX522 $d 20231021024033.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A69BADAA580511E8A8F83C5097128E48Initiate Another SILO Locator Search