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03085aam a2200409 i 4500 001 0F6034D271B711EB8A4F4B2E3BECA4DB 003 SILO 005 20210218010021 008 191212s2020 caua b 001 0 eng 010 $a 2019057949 020 $a 0520303911 020 $a 9780520303911 035 $a (OCoLC)1135093822 040 $a CU-S/DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d BDX $d YDX $d ERASA $d YDX $d SILO 042 $a pcc 050 00 $a N72.T4 $b K739 2020 082 00 $a 701/.05 $2 23 100 1 $a Kraynak, Janet, $e author. 245 10 $a Contemporary art and the digitization of everyday life / $c Janet Kraynak. 264 1 $a Oakland, California : $b University of California Press, $c [2020] 300 $a xi, 291 pages : $b illustrations (chiefly color) ; $c 26 cm 504 $a Includes bibliographical references and index. 505 0 $a Introduction : Digitization and anti-democracy : the perils of digital utopianism -- Network effects : networked centralities and political marginalization -- Collaboration and the hive mind : social networks and the gendering of the economy -- Therapeutic participation and the museological user : on the museum in the age of surveillance capitalism -- Modularity and the alterities of search : racialization, difference, and computational systems -- Audible presents and imaginary futures : on silence and the technological imaginary -- In lieu of a conclusion. 520 $a "Digitization is the animating force of everyday life. Rather than defining it as a technology or a medium, Contemporary Art and the Digitization of Everyday Life argues that digitization is a sociohistorical process that is contributing to the erosion of democracy and an increase in political inequality, specifically along racial, ethnic, and gender lines. Taking a historical approach, Janet Kraynak finds that the seeds of these developments are paradoxically related to the ideology of digital utopianism that emerged in the late 1960s with the rise of a social model of computing, a set of beliefs furthered by the neoliberal tech ideology in the 1990s, and the popularization of networked computing. The result of this ongoing cultural worldview, which dovetails with the principles of progressive artistic strategies of the past, is a critical blindness in art historical discourse that ultimately compromises art's historically important role in furthering radical democratic aims"-- $c Provided by publisher. 650 0 $a Art and technology $y 20th century. 650 0 $a Art and technology $y 21st century. 650 0 $a Computer art $x Social aspects $y 20th century. 650 0 $a Computer art $x Social aspects $y 21st century. 650 0 $a Art and society $y 20th century. 650 0 $a Art and society $y 21st century. 650 7 $a Art and society. $2 fast $0 (OCoLC)fst00815432 650 7 $a Art and technology. $2 fast $0 (OCoLC)fst00815441 648 7 $a 1900-2099 $2 fast 941 $a 2 952 $l USUX851 $d 20240403012848.0 952 $l OVUX522 $d 20220317022433.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=0F6034D271B711EB8A4F4B2E3BECA4DBInitiate Another SILO Locator Search