The Locator -- [(subject = "Art--Exhibition techniques")]

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02784aam a2200385 i 4500
001 69EF89C4F1E611E78A18091E97128E48
003 SILO
005 20180105010221
008 160617s2017    wauaf    b   s001 0 eng  
010    $a 2016023732
020    $a 0295741988
020    $a 9780295741987
035    $a (OCoLC)952276834
040    $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCQ $d OCLCF $d YDX $d BTCTA $d ERASA $d YDX $d OCLCO $d SILO
042    $a pcc
050 00 $a NX430.I4 $b B76 2017
082 00 $a 700.954/07473 $2 23
100 1  $a Brown, Rebecca M., $e author.
245 10 $a Displaying time : $b the many temporalities of the Festival of India / $c Rebecca M. Brown.
264  1 $a Seattle : $b University of Washington Press, $c [2017]
300    $a xvi, 211 pages, 16 unnumbered pages of plates ; $c 26 cm.
490 1  $a Global South Asia
504    $a Includes bibliographical references and index.
505 0  $a Flickering light, fluttering textiles -- An interruption : Derridean temporality at the Festival -- Material transformations : clay, terracotta, trash -- Time, interrupted : people in the gallery -- Entrepreneurial exhibits -- The contemporary, at a distance -- Setting up the tent anew.
520 8  $a From the fluttering fabric of a tent, to the blurred motion of the potters wheel, to the rhythm of a horse puppets wooden hoovesthese scenes make up a set of mid-1980s art exhibitions as part of the U.S. Festival of India. The festival was conceived at a meeting between Indira Gandhi and Ronald Reagan to strengthen relations between the two countries at a time of late Cold War tensions and global economic change, when Americas image of India was as a place of desperate poverty and spectacular fantasy. "Displaying Time" unpacks the intimate, small-scale durations of time at work in the gallery from the transformation of clay into ceramic to the one-on-one, personal encounters between museum visitors and artists. Using extensive archival research and interviews with artists, curators, diplomats, and visitors, Rebecca Brown analyzes a selection of museum shows that were part of the Festival of India to unfurl new exhibitionary modes: the time of transformation, of interruption, of potential and the future, as well as the contemporary and the now.
611 20 $a Festival of India in the United States $d (1985-1986)
611 27 $a Festival of India in the United States. $2 fast $0 (OCoLC)fst01406530
650  0 $a Time and art.
650  0 $a Art $x Exhibition techniques.
650  7 $a Art $x Exhibition techniques. $2 fast $0 (OCoLC)fst00815237
650  7 $a Time and art. $2 fast $0 (OCoLC)fst01739528
830  0 $a Global South Asia.
941    $a 1
952    $l OVUX522 $d 20191211020010.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=69EF89C4F1E611E78A18091E97128E48

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