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03401aam a2200457 i 4500 001 45F2EEA4E6E611E7A3BFBD0A97128E48 003 SILO 005 20171222010219 008 150506s2015 enk b 001 0 eng 010 $a 2015005432 020 $a 1137462264 020 $a 9781137462268 035 $a (OCoLC)907127225 040 $a DLC $b eng $e rda $c DLC $d YDX $d BTCTA $d YDXCP $d BDX $d OCLCF $d OCLCO $d CDX $d EYM $d UtOrBLW $d SILO 042 $a pcc 043 $a s-bl--- $0 http://id.loc.gov/vocabulary/geographicAreas/s-bl 050 00 $a GV1796.C145 $b R67 2015 082 00 $a 793.3/1981 $2 23 084 $a PER003040 $2 bisacsh 100 1 $a Rosa, Cristina F., $e author. $0 http://id.loc.gov/authorities/names/n2015028910 245 10 $a Brazilian bodies and their choreographies of identification : $b swing nation / $c Cristina F. Rosa. 264 1 $a Houndmills, Basingstoke, Hampshire ; $b Palgrave Macmillan, $c 2015. 300 $a x, 281 pages ; $c 23 cm. 490 1 $a New world choreographies 520 $a "Brazilian Bodies and their Choreographies of Identification retraces a method of swaying the body, particular to Brazil, which is commonly known as ginga. The book combines historiography and ethnography with movement analysis using a set of analytical tools compiled and tailored from distinct disciplines. As such, Cristina F. Rosa creates a 'toolbox' to map, more specifically, the presence of this polycentric and polyrhythmic system across distinct and specific realms: samba-de-roda (samba-in-a-circle) dances, capoeira angola games, and the repertoire of Grupo Corpo, a contemporary dance company based in Belo Horizonte (MG). This fascinating book examines how ginga functions at the bodily level, the multiple roles it assumes in each of these realms, and the effects that it mobilizes through choreographed and/or improvised movements, gestures, and intentions. It is an important resource for all scholars and students of international dance"-- $c Provided by publisher. 504 $a Includes bibliographical references and index. 505 0 $a Introduction: Choreographing Ideas -- PART I: UNDERSTANDING GINGA -- 1. Decoding Ginga Aesthetic -- 2. Historicizing Ginga -- PART II: ANALYSING GINGA -- 3. Understanding the Presence of Ginga in Samba Circles -- 4. Investigating the Articulation of Ginga in Capoeira Angola -- 5. What is it about the Baiana? -- PART III: STAGING GINGA -- 6. Brazilian Bodies and Nationalism in Dance -- 7. What is it about Grupo Corpo? -- Conclusion: The Pride and Shame of being a Swing Nation. 650 7 $a PERFORMING ARTS / Dance / Modern. $2 bisacsh 650 0 $a Capoeira (Dance) $0 http://id.loc.gov/authorities/subjects/sh85019991 650 0 $a Capoeira (Dance) $x Social aspects $z Brazil. 650 0 $a Dance $x Social aspects $z Brazil. 650 0 $a Choreography. $0 http://id.loc.gov/authorities/subjects/sh85024743 650 7 $a Capoeira (Dance) $2 fast $0 (OCoLC)fst00846521 650 7 $a Capoeira (Dance) $x Social aspects. $2 fast $0 (OCoLC)fst00846523 650 7 $a Choreography. $2 fast $0 (OCoLC)fst00858600 650 7 $a Dance $x Social aspects. $2 fast $0 (OCoLC)fst00887466 651 7 $a Brazil. $2 fast $0 (OCoLC)fst01206830 830 0 $a New world choreographies. $0 http://id.loc.gov/authorities/names/no2015008748 941 $a 1 952 $l OVUX522 $d 20191211024328.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=45F2EEA4E6E611E7A3BFBD0A97128E48Initiate Another SILO Locator Search