The Locator -- [(subject = "Music--Psychological aspects--Psychological aspects")]

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03340aam a2200397 i 4500
001 93E0FF1C0F2511E9BB56EF4997128E48
003 SILO
005 20190103010119
008 170919t20182018nyua     b    001 0 eng  
010    $a 2017045025
020    $a 1479821586
020    $a 9781479821587
020    $a 1479896160
020    $a 9781479896165
035    $a (OCoLC)1004769530
040    $a DLC $b eng $e rda $c DLC $d BDX $d YDX $d OCLCF $d OCLCO $d OCLCQ $d TOH $d NYP $d GSU $d WLU $d OCLCQ $d T9K $d CHVBK $d OCLCO $d UKMGB $d SILO
042    $a pcc
050 00 $a ML3918 P67 B39 2018
100 1  $a Baym, Nancy K., $e author.
245 10 $a Playing to the crowd : $b musicians, audiences, and the intimate work of connection / $c Nancy K. Baym.
264  1 $a New York : $b New York University Press, $c [2018]
300    $a ix, 253 pages : $b illustrations ; $c 23 cm.
490 1  $a Postmillennial pop
505 0  $a Introduction: the intimate work of connection -- Part I. Music -- Music as communication -- Music as commodity -- Part II. Participation -- Audiences -- Participatory boundaries -- Part III. Relationships -- Platforms -- Relational boundaries -- Conclusion: staying human.
520    $a "Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something more intimate. Through in-depth interviews with musicians such as the Cure, UB40, and Throwing Muses, Nancy K. Baym reveals how new media has facilitated connections through the active participation of both the artists and their devoted digital fan base. Before the rise of online sharing and user-generated content, audiences were mostly seen as undifferentiated masses, often mediated through record labels and the press. Today, musicians and fans have built more active relationships through social media, fan sites, and artist sites, giving them a new sense of intimacy, while offering artists unparalleled access to and information about their audiences. But this comes at a price. For audiences, meeting their heroes can kill the mystique. And for artists, maintaining active relationships with so many people can be labor intensive and emotionally draining. Drawing on her own rich history as a deeply connected music fan, Baym offers an entirely new approach to media culture, arguing that the work musicians put into maintaining these intimate relationships reflects the demands of the gig economy, one which requires resources and strategies that we all music come to recognize"--Publisher's description.
504    $a Includes bibliographical references (pages 225-237) and index.
650  0 $a Popular music $x Social aspects.
650  0 $a Music $x Psychological aspects. $x Psychological aspects.
650  0 $a Popular music fans.
830  0 $a Postmillennial pop.
856 41 $u https://books.google.com.tr/books?id=2b44DwAAQBAJ&lpg=PP1&dq=Playing%20to%20the%20crowd%20%3A%20musicians%2C%20audiences%2C%20and%20the%20intimate%20work%20of%20connection&hl=tr&pg=PP1#v=onepage&q=Playing%20to%20the%20crowd%20:%20musicians,%20audiences,%20and%20the%20intimate%20work%20of%20connection&f=false $z e-book
941    $a 2
952    $l OVUX522 $d 20191211021448.0
952    $l USUX851 $d 20190305055521.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=93E0FF1C0F2511E9BB56EF4997128E48
994    $a C0 $b IWA

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