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03153aam a2200469 i 4500 001 936E5032462211E9A3F20F6897128E48 003 SILO 005 20190314012734 008 180828s2018 nyua bq 001 0 eng 010 $a 2018030768 020 $a 1501335987 020 $a 9781501335983 035 $a (OCoLC)1028605720 035 $a (OCoLC)1049208889 040 $a DLC $b eng $e rda $c DLC $d YDX $d QCL $d OCLCF $d LTSCA $d DLC $d OCLCO $d UKMGB $d NUI $d SILO 042 $a pcc 043 $a e-fr--- $a e-fr--- 050 00 $a PN1995.9.B62 $b D38 2018 082 00 $a 791.430961 $2 23 100 1 $a Davies Hayon, Kaya, $e author. 245 10 $a Sensuous cinema : $b the body in contemporary Maghrebi film / $c Kaya Davies Hayon. 264 1 $a New York, NY : $b Bloomsbury Academic, $c 2018. 300 $a vi, 181 pages : $b illustrations ; $c 24 cm. 490 1 $a Thinking cinema ; $v Volume 7 504 $a Includes bibliographical references (pages 167-173) and index. 504 $a Includes filmography. 520 8 $a Sensuous Cinema: The Body in Contemporary Maghrebi Film examines a cluster of recent films that feature Maghrebi(-French) people and position corporeality as a site through which subjectivity and self-other relations are constituted and experienced. These films are set in and between the countries of the Maghreb, France and, to a lesser degree, Switzerland, and often adopt a sensual aesthetic that prioritizes embodied knowledge, the interrelation of the senses and the material realities of emotional experience. However, despite the importance of the body in these films, no study to date has taken corporeality as its primary point of concern. This new addition to the Thinking Cinema series interweaves corporeal phenomenology with theological and feminist scholarship on the body from the Maghreb and the Middle East to examine how Maghrebi(-French) people of different genders, ethnicities, sexualities, ages and classes have been represented corporeally in contemporary Maghrebi and French cinemas. Via detailed textual and phenomenological analyses of films such as Red Satin (Amari 2002), Exiles (Gatlif 2004), Couscous (Kechiche 2007) and Salvation Army (Taia 2014), Kaya Hayon Davies conveys the pivotal role that corporeality plays in articulating identity and the emotions in these films. 650 0 $a Human body in motion pictures. 650 0 $a North Africans in motion pictures. 650 0 $a Motion pictures $z Africa, North $x History. 650 0 $a Motion pictures, French $x History and criticism. 650 0 $a Motiont pictures $z France $x History and criticism. 650 7 $a Human body in motion pictures. $2 fast $0 (OCoLC)fst01899764 650 7 $a Motion pictures. $2 fast $0 (OCoLC)fst01027285 650 7 $a Motion pictures $x Aesthetics. $2 fast $0 (OCoLC)fst01027288 650 7 $a North Africans in motion pictures. $2 fast $0 (OCoLC)fst01904085 651 7 $a Africa, North. $2 fast $0 (OCoLC)fst01239515 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 830 0 $a Thinking Cinema ; $v v. 7. 941 $a 1 952 $l OVUX522 $d 20231017022456.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=936E5032462211E9A3F20F6897128E48Initiate Another SILO Locator Search