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03390aam a2200445 i 4500 001 0F58AADC71B711EB8A4F4B2E3BECA4DB 003 SILO 005 20210218010021 008 200311t20202020ctua 000 0deng d 020 $a 0300245742 020 $a 9780300245745 035 $a (OCoLC)1143617781 040 $a YDX $b eng $e rda $c YDX $d BDX $d OCLCQ $d ERASA $d CPL $d OCLCF $d VP@ $d OCLCO $d SILO 050 4 $a N6538.N5 $b P69 2020 082 04 $a 704.0396073 100 1 $a Powell, Richard J., $d 1953- $e author. 245 10 $a Going there : $b Black visual satire / $c Richard J. Powell. 264 1 $a New Haven : $b Yale University Press in association with Hutchins Center for African & African American Resarch, Harvard University, $c [2020] 300 $a xii, 228 pages : $b illustrations (some color) ; $c 26 cm 500 $a "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso. 520 8 $a In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art. 505 0 $a "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic. 650 0 $a African American art. 650 0 $a African American artists. 650 0 $a African Americans in art. 650 0 $a Satire, American $x History and criticism. 600 10 $a Harrington, Oliver W. $q (Oliver Wendell), $d 1912-1995. 600 10 $a Colescott, Robert, $d 1925-2009. 600 17 $a Colescott, Robert, $d 1925-2009. $2 fast $0 (OCoLC)fst01728074 600 17 $a Harrington, Oliver W. $q (Oliver Wendell), $d 1912-1995. $2 fast $0 (OCoLC)fst01729758 650 7 $a African American art. $2 fast $0 (OCoLC)fst00799012 650 7 $a African American artists. $2 fast $0 (OCoLC)fst00799017 650 7 $a African Americans in art. $2 fast $0 (OCoLC)fst00799722 650 7 $a Satire, American. $2 fast $0 (OCoLC)fst01105681 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 710 2 $a Hutchins Center for African and African American Research, $e contributor. 941 $a 2 952 $l OVUX522 $d 20220317014928.0 952 $l UNUX074 $d 20210723014949.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=0F58AADC71B711EB8A4F4B2E3BECA4DBInitiate Another SILO Locator Search