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04086aam a2200421 i 4500 001 42A2B0620CD411EEAAE9666853ECA4DB 003 SILO 005 20230617010022 008 211113s2022 nyua b 001 0 eng 010 $a 2021054769 020 $a 0231205775 020 $a 9780231205771 020 $a 0231205767 020 $a 9780231205764 035 $a (OCoLC)1285870119 040 $a LBSOR/DLC $b eng $e rda $c DLC $d YDX $d DLC $d OCLCF $d OCLCO $d YDX $d OCLCO $d NYP $d GSU $d LML $d NUI $d SILO 042 $a pcc 050 00 $a PN1995.9.H6 $b L693 2022 082 00 $a 791.43/6164 $2 23/eng/20211203 100 1 $a Lowenstein, Adam, $e author. 245 10 $a Horror film and otherness / $c Adam Lowenstein. 264 1 $a New York : $b Columbia University Press, $c [2022] 300 $a xiii, 224 pages : $b illustrations ; $c 25 cm. 490 1 $a Film and culture 520 $a "What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society's fear of the "others" that threaten the "normal." The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film's depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes. Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across "normal" self and "monstrous" other. This "transformative otherness" confronts viewers with the other's experience-and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined. Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror's significance for culture, politics, and art"-- $c Provided by publisher. 504 $a Includes bibliographical references (pages 205-213) and index. 505 0 $a Introduction. Situating horror and otherness : tree of life, Night of the living dead, Pittsburgh -- A reintroduction to the American horror film : revisiting Robin Wood and 1970s horror -- The surrealism of horror's otherness : listening to The shout -- Nightmare zone : aging as otherness in the cinema of Tobe Hooper -- The trauma of economic otherness : horror in George A. Romero's Martin -- Therapeutic disintegration : Jewish otherness in the cinema of David Cronenberg -- Gendered otherness : feminine horror and surrealism in Marina de Van, Stephanie Rothman, and Jennifer Kent -- Racial otherness : horror's Black/Jewish minority vocabulary, from Jordan Peele to Ira Levin and Curt Siodmak -- Afterword. Horror and otherness in anguished times. 650 0 $a Horror films $x History and criticism. 650 0 $a Other (Philosophy) in motion pictures. 650 0 $a Criticism. 650 7 $a Horror films. $2 fast $0 (OCoLC)fst00960370 650 7 $a Other (Philosophy) in motion pictures. $2 fast $0 (OCoLC)fst01904150 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 776 08 $i Online version: $a Lowenstein, Adam. $t Horror film and otherness $d New York : Columbia University Press, [2022] $z 9780231556156 $w (DLC) 2021054770 830 0 $a Film and culture. 941 $a 1 952 $l OVUX522 $d 20231117030808.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=42A2B0620CD411EEAAE9666853ECA4DBInitiate Another SILO Locator Search