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03583acm a2200577 i 4500 001 8AA51692664511EDB99D19AA23ECA4DB 003 SILO 005 20221117010035 008 220925t20222022wiuopl dhi n fre d 020 $a 9781987208221 020 $a 1987208226 035 $a (OCoLC)1345579888 040 $a YDX $b eng $e rda $c YDX $d HUL $d NHM $d BRL $d TDF $d COO $d CUT $d GUA $d OCLCF $d BRX $d GZN $d YDX $d NUI $d SILO 041 1 $a fre $e eng $e eng $g eng 046 $k 1694 $2 edtf 050 4 $a M1500.L475 $b C48 2022 100 1 $a Legrand, Marc-Antoine, $d 1673-1728, $e librettist. $e librettist. 240 10 $a Chute de PhaeÌton 245 13 $a La chute de PhaeÌton : $b comeÌdie en musique (1694) / $c an opera parody by Marc-Antoine Legrand of Jean-Baptiste Lully's PhaeÌton ; edited by Natasha Roule. 246 1 $i Parallel title from libretto: $a Fall of PhaeÌton : $b comeÌdie 264 1 $a Middleton, Wisconsin : $b A-R Editions, Inc., $c [2022] 300 $a 1 score (xxx, 89 pages, 2 pages of plates) : $b facsimiles ; $c 31 cm 490 1 $a Recent Researches in the Music of the Baroque Era ; $v 233 520 $a "Marc-Antoine Legrand's La chute de Phaéton, comédie en musique (1694) is the only surviving opera parody from France that was written outside of Paris in the seventeenth century. Part spoken theater and part musical drama, Legrand's work sets excerpts of Jean-Baptiste Lully's Phaéton to a narrative about a troupe of musicians in the city of Lyon who try to rescue their failing opera company from financial collapse. Based on actual events, La chute de Phaéton cleverly transforms Lully's moral lessons on the disastrous consequences of hubris into a scathing commentary on the opera industry--and on the genre of opera itself. The musical portion amounts to approximately thirty minutes of performance time and includes dances, choruses, récitatifs, and airs, making it an ideal tool for introducing students to French baroque music as well as for offering an opportunity of creative exploration for those more experienced with the repertoire."--Publisher's website. 546 $a French words, also printed separately as text with English translation by Natasha Roule. 546 $b Staff notation. 504 $a Includes introduction in English and bibliographical references. 650 0 $a Operas $v Scores. 650 0 $a Operas $v Librettos. 650 0 $a Musical parodies. 650 7 $a Musical parodies. $2 fast $0 (OCoLC)fst01765249 650 7 $a Operas $x Librettos. $2 fast $0 (OCoLC)fst01046219 650 7 $a Operas $x Scores. $2 fast $0 (OCoLC)fst01046228 655 7 $a Art music. $2 fast $0 (OCoLC)fst01920007 655 7 $a Librettos. $2 fast $0 (OCoLC)fst01692883 655 7 $a Musical parodies. $2 fast $0 (OCoLC)fst01920252 655 7 $a Operas. $2 fast $0 (OCoLC)fst01726688 655 7 $a Scores. $2 fast $0 (OCoLC)fst01692898 655 7 $a Operas. $2 lcgft 655 7 $a Art music. $2 lcgft 655 7 $a Scores. $2 lcgft 655 7 $a Musical parodies. $2 lcgft 655 7 $a Librettos. $2 lcgft 700 1 $a Roule, Natasha, $e translator. $e translator. 700 12 $i Based on (work): $a Lully, Jean-Baptiste, $d 1632-1687. $t PhaeÌton. 700 12 $i Container of (work): $a Legrand, Marc-Antoine, $d 1673-1728. $t Chute de PhaeÌton (Libretto) 700 12 $i Container of (expression): $a Legrand, Marc-Antoine, $d 1673-1728. $t Chute de PhaeÌton (Libretto). $l English. 830 0 $a Recent researches in the music of the Baroque Era ; $v v. 233. 941 $a 1 952 $l OVUX522 $d 20231117011208.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=8AA51692664511EDB99D19AA23ECA4DBInitiate Another SILO Locator Search