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03209aam a2200445 i 4500 001 141EDEFEBFA611ECA5AD8FDE3CECA4DB 003 SILO 005 20220419010024 008 210524t20222022enka b 001 0 eng 010 $a 2021024862 020 $a 1108484751 020 $a 9781108484756 035 $a (OCoLC)1253441502 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d YDX $d OCLCF $d UKMGB $d YDX $d OCLCO $d GUL $d OCLCO $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a KF3030.2 $b .S25 2022 100 1 $a Salter, Brent, $e author. 245 10 $a Negotiating copyright in the American theatre : $b 1856-1951 / $c Brent Salter, Stanford Law School. 264 1 $a Cambridge, United Kingdom ; $b Cambridge University Press, $c 2022. 300 $a x, 266 pages : $b illustrations ; $c 24 cm. 490 1 $a Cambridge intellectual property and information law 504 $a Includes bibliographical references (pages 240-251) and index. 505 0 $a Copyright and the facilitation of theatrical production -- The publisher's unpublished empire -- The enduring "piratical" pursuits of Alexander Byers -- Brokering Theatre -- Negotiating playwright integrity -- The playwright code -- Carl E Ring and the American Playwright Trade Association -- Trading on "its own inherent strength." 520 $a "This book is a historical account about the negotiation of creativity in the American theatre. It is a history of how the American theatre organized its relationships and how stakeholders, and in particular dramatists, responded to these developments. The book examines how copyright law has interacted with the American theatre in dynamic and counterintuitive ways, helping to facilitate theatrical production between authors of original copyright works and audiences. But copyright plays only a supporting role in the much larger theatrical economy. This is a history of how the industry was shaped by the evolution of mediating businesses and the practices they established. The growth in mediating businesses, and responses to these developments, has accompanied enduring ambiguities about the authority dramatists are often assumed to have over the work they create"-- $c Provided by publisher. 650 0 $a Copyright $x History. $z United States $x History. 650 0 $a Copyright $x History. $z United States $x History. 650 0 $a Theater $x History. $z United States $x History. 650 6 $a Droit d'auteur $x Histoire. $z Etats-Unis $x Histoire. 650 6 $a Droit d'auteur $x Histoire. $z Etats-Unis $x Histoire. 650 7 $a Copyright $x Drama. $2 fast $0 (OCoLC)fst00878726 650 7 $a Copyright $x Performing rights. $2 fast $0 (OCoLC)fst00878755 650 7 $a Theater $x Law and legislation. $2 fast $0 (OCoLC)fst01149260 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 776 08 $i Online version: $a Salter, Brent, 1974- $t Negotiating copyright in the american theatre: 1856-1951 $d New York : Cambridge University Press, 2021 $z 9781108676182 $w (DLC) 2021024863 830 0 $a Cambridge intellectual property and information law. 941 $a 1 952 $l OVUX522 $d 20231018011458.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=141EDEFEBFA611ECA5AD8FDE3CECA4DBInitiate Another SILO Locator Search