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03799aam a2200457 i 4500 001 6B4C2BB69E3C11EE84E191EF36ECA4DB 003 SILO 005 20231219010058 008 181030t20222022enkaeh b 001 0 eng d 020 $a 1909400947 020 $a 9781909400948 035 $a (OCoLC)1059265289 040 $a YDX $b eng $e rda $c YDX $d OCLCQ $d ERASA $d QGJ $d GRU $d WAU $d QGJ $d OCLCF $d CMA $d UKMGB $d NJR $d SILO 043 $a e-it--- 050 4 $a ND623.P8 $b P535 2022 082 04 $a 709.945 100 1 $a Pilliod, Elizabeth, $e author. 245 10 $a Pontormo at San Lorenzo : $b art, history, ritual : the making and meaning of a lost Renaissance masterpiece / $c Elizabeth Pilliod. 246 30 $a Art, history, ritual : the making and meaning of a lost Renaissance masterpiece 264 1 $a London ; $b Harvey Miller Publishers, an imprint of Brepols Publishers, $c [2022] 300 $a 384 pages : $b illustrations (chiefly color), facsimiles, plans ; $c 31 cm 504 $a Includes bibliographical references (pages 268-293) and index. 505 0 $a Introduction -- Life and death in the choir -- Reversals of fortune -- Saint Lawrence's Acts -- Cycles of salvation and resurrection -- Then and now : Pontormo's place in history. 520 $a This book completely revises and corrects the standard interpretations and understanding of Jacopo da Pontomo's lost masterpiece, the frescoes in the choir of the church of San Lorenzo at Florence, Italy. Pontormo's frescoes in San Lorenzo were the most important cycle of the sixteenth century after Michelangelo's Sistine frescoes. They had an enormous impact on artists until their destruction in the eighteenth century, and their interpretation has also had a significant bearing not only on the reception of this artist, but also of late Renaissance art in Florence. Based on careful archival and historical scholarship, this book determines a new date for the inception of the fresco cycle and reconstructs the day by day procedures through which the artist generated his creation. It establishes his working method, and what it produced. It creates a new visual order for the frescoes. It sets them into the artistic and architectural context of the church in which they were created, relating them to a complex liturgical and religious function. It establishes the intentions of the both the Medici and the canons of the church in having Pontormo paint the specific space in the church where he painted, and the specific subjects that were included. Finally, it reveals the hitherto unsuspected impact Pontormo's paintings had on other works of art.-- $c Provided by publisher. 545 0 $a Elizabeth Pilliod is associate professor of art at Oregon State University. 600 10 $a Pontormo, Jacopo da, $d 1494-1556 $x Criticism and interpretation. 610 20 $a San Lorenzo (Church : Florence, Italy) 600 17 $a Pontormo, Jacopo da, $d 1494-1556. $2 fast $0 (OCoLC)fst01428036 610 27 $a San Lorenzo (Church : Florence, Italy) $2 fast $0 (OCoLC)fst00533841 650 0 $a Mural painting and decoration, Italian $y 16th century $x Conservation and restoration $z Florence. $z Florence. 650 0 $a Christian art and symbolism $z Florence $z Florence $y Renaissance, 1450-1600. 650 0 $a Renaissance $z Italy. 650 7 $a Christian art and symbolism $x Renaissance. $2 fast $0 (OCoLC)fst01710941 650 7 $a Mural painting and decoration, Italian $x Conservation and restoration. $2 fast $0 (OCoLC)fst01029677 651 7 $a Italy $z Florence. $2 fast $0 (OCoLC)fst01204699 648 7 $a 1450-1600 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 700 1 $a Pontormo, Jacopo da, $d 1494-1556, $e artist. 941 $a 1 952 $l OVUX522 $d 20231219011755.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=6B4C2BB69E3C11EE84E191EF36ECA4DBInitiate Another SILO Locator Search