The Locator -- [(subject = "Culture in motion pictures")]

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03632aam a2200469 i 4500
001 01FB3B545F0811ECA70E6FDD2BECA4DB
003 SILO
005 20211217010126
008 190410t20192019onca     bq   000 0 eng  
020    $a 0921972792
020    $a 9780921972792
035    $a (OCoLC)1096280629
040    $a NLC $b eng $e rda $c NLC $d OCLCF $d BDX $d ERASA $d YDX $d OCLCQ $d YDX $d UAB $d UKTTE $d OCL $d OCLCO $d IaU $d SILO
042    $a lac
043    $a s-bl---
050  4 $a PN1998.3.W332 $b F55 2019
055  0 $a PN1998.3.W332 $b F55 2019
080    $a 7 WAGN WAG
082 04 $a 791.4302/33092 $2 23
245 04 $a The films of Bárbara Wagner & Benjamin de Burca / $c essays by Emelie Chhangur, André Lepecki, Hélio Menezes, Evan Moffitt.
246 3  $a Films of Bárbara Wagner and Benjamin de Burca
264  1 $a Toronto, ON, Canada : $b Art Gallery of York University, $c [2019]
300    $a 119 pages : $b color illustrations ; $c 30 cm
520    $a "In their film work, Bárbara Wagner and de Burca counter the impulse to categorize culture in terms that are fixed--or deemed "folk" by organizations such as UNESCO--by exploring cultural change across generations and geographies. Their work celebrates--and reframes--vernacular cultural forms as they have manifested through time; as popular traditions become pop culture, for instance. Through their films, the artists examine a space in between, where cultural forms of the past adapt in response to changing economic conditions--particularly in emerging economies or post-colonial geographical contexts--and where popular genres persist through cultural mixing and diasporic refashioning. The artists look to how performative forms of colonial cultural resistance in Brazil's northeast, in particular, continue today but in revised expression. For the protagonists of Wagner and de Burca's films, self-fashioning becomes a means of political, economic, and social survival. Currently based in the north east of Brazil, in Recife, Wagner and de Burca have been collaborating since 2011. Their recent films have been at Skulpture Projekt Münster (2017), Front International (2018), the 33rd São Paulo Biennial (2018), and the Berlinale (2019). They are representing Brazil at the 2019 Venice Biennale. Designed by Lisa Kiss, this book discusses their collaborative film practice, including the work slated to premiere in Venice. It includes essays by Emelie Chhangur (Toronto, AGYU), André Lepecki (New York), Evan Moffitt (New York), and Hélio Menezes (Brazil)."-- $c Provided by publisher.
504    $a Includes bibliographical references and filmography.
600 10 $a Wagner, Bárbara, $d 1980- $x Criticism and interpretation.
600 10 $a Burca, Benjamin de, $d 1975- $x Criticism and interpretation.
650  0 $a Short films $z Brazil $x History and criticism.
650  0 $a Documentary films $z Brazil $x History and criticism.
650  0 $a Musical films $z Brazil $x History and criticism.
650  0 $a Culture in motion pictures.
650  7 $a Musical films. $2 fast $0 (OCoLC)fst01030715
650  7 $a Documentary films. $2 fast $0 (OCoLC)fst00896079
650  7 $a Culture in motion pictures. $2 fast $0 (OCoLC)fst01902963
650  7 $a Short films. $2 fast $0 (OCoLC)fst01117032
651  7 $a Brazil. $2 fast $0 (OCoLC)fst01206830
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
710 2  $a York University (Toronto, Ont.). $b Art Gallery, $e issuing body.
700 1  $a Chhangur, Emelie, $e writer of added text.
941    $a 1
952    $l OVUX522 $d 20231117031218.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=01FB3B545F0811ECA70E6FDD2BECA4DB

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