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03632aam a2200469 i 4500 001 01FB3B545F0811ECA70E6FDD2BECA4DB 003 SILO 005 20211217010126 008 190410t20192019onca bq 000 0 eng 020 $a 0921972792 020 $a 9780921972792 035 $a (OCoLC)1096280629 040 $a NLC $b eng $e rda $c NLC $d OCLCF $d BDX $d ERASA $d YDX $d OCLCQ $d YDX $d UAB $d UKTTE $d OCL $d OCLCO $d IaU $d SILO 042 $a lac 043 $a s-bl--- 050 4 $a PN1998.3.W332 $b F55 2019 055 0 $a PN1998.3.W332 $b F55 2019 080 $a 7 WAGN WAG 082 04 $a 791.4302/33092 $2 23 245 04 $a The films of BaÌrbara Wagner & Benjamin de Burca / $c essays by Emelie Chhangur, AndreÌ Lepecki, HeÌlio Menezes, Evan Moffitt. 246 3 $a Films of BaÌrbara Wagner and Benjamin de Burca 264 1 $a Toronto, ON, Canada : $b Art Gallery of York University, $c [2019] 300 $a 119 pages : $b color illustrations ; $c 30 cm 520 $a "In their film work, BaÌrbara Wagner and de Burca counter the impulse to categorize culture in terms that are fixed--or deemed "folk" by organizations such as UNESCO--by exploring cultural change across generations and geographies. Their work celebrates--and reframes--vernacular cultural forms as they have manifested through time; as popular traditions become pop culture, for instance. Through their films, the artists examine a space in between, where cultural forms of the past adapt in response to changing economic conditions--particularly in emerging economies or post-colonial geographical contexts--and where popular genres persist through cultural mixing and diasporic refashioning. The artists look to how performative forms of colonial cultural resistance in Brazil's northeast, in particular, continue today but in revised expression. For the protagonists of Wagner and de Burca's films, self-fashioning becomes a means of political, economic, and social survival. Currently based in the north east of Brazil, in Recife, Wagner and de Burca have been collaborating since 2011. Their recent films have been at Skulpture Projekt MuÌnster (2017), Front International (2018), the 33rd SaÌo Paulo Biennial (2018), and the Berlinale (2019). They are representing Brazil at the 2019 Venice Biennale. Designed by Lisa Kiss, this book discusses their collaborative film practice, including the work slated to premiere in Venice. It includes essays by Emelie Chhangur (Toronto, AGYU), AndreÌ Lepecki (New York), Evan Moffitt (New York), and HeÌlio Menezes (Brazil)."-- $c Provided by publisher. 504 $a Includes bibliographical references and filmography. 600 10 $a Wagner, BaÌrbara, $d 1980- $x Criticism and interpretation. 600 10 $a Burca, Benjamin de, $d 1975- $x Criticism and interpretation. 650 0 $a Short films $z Brazil $x History and criticism. 650 0 $a Documentary films $z Brazil $x History and criticism. 650 0 $a Musical films $z Brazil $x History and criticism. 650 0 $a Culture in motion pictures. 650 7 $a Musical films. $2 fast $0 (OCoLC)fst01030715 650 7 $a Documentary films. $2 fast $0 (OCoLC)fst00896079 650 7 $a Culture in motion pictures. $2 fast $0 (OCoLC)fst01902963 650 7 $a Short films. $2 fast $0 (OCoLC)fst01117032 651 7 $a Brazil. $2 fast $0 (OCoLC)fst01206830 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 710 2 $a York University (Toronto, Ont.). $b Art Gallery, $e issuing body. 700 1 $a Chhangur, Emelie, $e writer of added text. 941 $a 1 952 $l OVUX522 $d 20231117031218.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=01FB3B545F0811ECA70E6FDD2BECA4DBInitiate Another SILO Locator Search