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03606aam a2200469Ii 4500 001 C785515268DD11EA9C5A9E4D97128E48 003 SILO 005 20200318010024 008 190712t20202020enka b 001 0 eng d 020 $a 1350051349 020 $a 9781350051348 035 $a (OCoLC)1120195923 040 $a UKMGB $b eng $e rda $c UKMGB $d OCLCO $d BDX $d OCLCF $d WAU $d YDXIT $d CHVBK $d OCLCO $d YDXIT $d SILO 043 $a e-uk-en 050 4 $a PR652 $b .R48 2020 082 04 $a 822/.309 $2 23 082 04 $a 792.094209031 $2 23 245 00 $a Rethinking theatrical documents in Shakespeare's England / $c edited by Tiffany Stern. 264 1 $a London : $b The Arden Shakespeare, $c 2020. 300 $a xvi, 287 pages : $b illustrations (black and white) ; $c 21 cm 504 $a Includes bibliographical references and index. 520 $a Rethinking Theatrical Documents brings together fifteen major scholars to analyse and theorise the documents, lost and found, that produced a play in Shakespeare's England. Showing how the playhouse frantically generated paratexts, it explores a rich variety of entangled documents, some known and some unknown: from before the play (drafts, casting lists, actors' parts); during the play (prologues, epilogues, title-boards); and after the play (playbooks, commonplace snippets, ballads) - though 'before', 'during' and 'after' intertwine in fascinating ways. By using collective intervention to rethink both theatre history and book history, it provides new ways of understanding plays critically, interpretatively, editorially, practically and textually. 505 0 $a Introduction -- Part One: Documents Before Performance. 1. Writing a Play with Robert Daborne: Lucy Munro. 2. A Sharers' Repertory: Holger Syme. 3. Parts and the Playscript: Seven Questions: James J. Marino. 4. Undocumented: Improvisation, Rehearsal and the Clown: Richard Preiss -- Part Two: Documents of Performance. 5. 'Rethinking Prologues on Page and Stage': Sonia Massai and Heidi Craig. 6. Title-and Scene-Boards: The Largest, Shortest Documents: Matt Steggle. 7. 'What is a staged book? Books as 'Actors' in the Early Modern English Theatre' -- Part Three: Documents After Performance. 8. Flowers for English Speaking: Play Extracts and Conversation: Andras Kisery. 9. Shakespearean Extracts and the Misrepresentation of the Archive: Laura Estill. 10. Typography After Performance: Claire M. L. Bourne. 11. Shakespeare the Balladmonger: Tiffany Stern -- Part Four: Documents Beyond Performance. 12. Lost Documents, Absent Documents, Forged Documents: Roslyn Knutson and David McInnis. 13. Afterward: Peter Holland. 650 0 $a English drama $y Early modern and Elizabethan, 1500-1600 $x Sources. $x Sources. 650 0 $a Theater $z England $x Sources. $y 16th century $x Sources. 650 0 $a Theater $z England $x History $y 16th century. 650 0 $a Theater $z England $x Sources. $y 17th century $x Sources. 650 0 $a Theater $z England $x History $y 17th century. 650 7 $a Theater. $2 fast $0 (OCoLC)fst01149217 651 7 $a England. $2 fast $0 (OCoLC)fst01219920 650 7 $a Drama $2 gnd $0 (DE-588)4012899-4 650 7 $a Englisch $2 gnd $0 (DE-588)4014777-0 650 7 $a Quelle $2 gnd $0 (DE-588)4135952-5 650 7 $a Theater $2 gnd $0 (DE-588)4059702-7 651 7 $a England $2 gnd $0 (DE-588)4014770-8 648 7 $a 1500-1699 $2 fast 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 655 7 $a Sources. $2 fast $0 (OCoLC)fst01423900 700 1 $a Stern, Tiffany, $e editor. 941 $a 1 952 $l OVUX522 $d 20220317030749.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=C785515268DD11EA9C5A9E4D97128E48Initiate Another SILO Locator Search