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02895aam a2200277Ii 4500 001 75989EA4840911E89478B85797128E48 003 SILO 005 20180710010618 008 170703t20172017sz a b 001 0 eng d 010 $a 2017947717 020 $a 3319631179 020 $a 9783319631172 035 $a (OCoLC)992747158 040 $a BTCTA $b eng $e rda $c BTCTA $d YDX $d BDX $d EAU $d OCLCF $d SILO 100 1 $a Kelly, JP, $e author. 245 10 $a Time, technology and narrative form in contemporary Us television drama $b pause, rewind, record / $c JP Kelly. 264 1 $a Cham, Switzerland : $b Palgrave Macmillan, $c [2017] 300 $a xii, 279 pages : $b illustrations (chiefly color) ; $c 22 cm 504 $a Includes bibliographical references and index. 505 0 $a 1. Introduction -- Part I. Power on : 2. A (very) brief history of time: from analogue to digital -- 3. The temporal regimes of TVIII: From broadcastting to streaming -- Part II. Acceleration : 4. In the 'perpetual now': split-screens, simultaneity and seriality -- 5. A stretch of time: extended distribution and narrative accumulation -- Part III. Complexity : 6. Time shifting in TVIII: the industrial, textual and paratextual complexities of prime time drama -- 7. 'Remembering what will be': prolepsis, pre-sales, and premediation in TVIII -- Part IV. Retrospection : 8. Deja view: media, memory and marketing in TVIII -- 9. Conclusion: "previously on..."--recapping the narrative and distributive temporalities of TVIII -- Index. 520 $a This book examines how television has been transformed over the past twenty years by the introduction of new viewing technologies including DVDs, DVRs and streaming services such as Netflix, Hulu and Amazon Prime. It shows that these platforms have profoundly altered the ways we access and watch television, enabling viewers to pause, rewind, record and archive the once irreversible flow of broadcast TV. JP Kelly argues that changes in the technological landscape of television have encouraged the production of narrative forms that both explore and embody new industrial temporalities. Focusing on US television but also considering the role of TV within a global marketplace, the author identifies three distinct narrative temporalities: "acceleration" (24; Prison Break), "complexity" (Lost; FlashForward), and "retrospection" (Mad Men). Through industrial-textual analysis of television shows, this cross-disciplinary study locates these narrative temporalities in their socio-cultural contexts and examines connections between production, distribution and narrative form in the contemporary television industry--back cover. 650 0 $a Television plays, American. 650 7 $a Television plays, American. $2 fast $0 (OCoLC)fst01146980 941 $a 1 952 $l OVUX522 $d 20190212025445.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=75989EA4840911E89478B85797128E48Initiate Another SILO Locator Search