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03487aam a2200397Ii 4500 001 FE93E4985F0711ECA70E6FDD2BECA4DB 003 SILO 005 20211217010126 008 200810t20212021stka b 001 0 eng d 020 $a 9781474446341 020 $a 1474446345 035 $a (OCoLC)1182841470 040 $a YDX $b eng $e rda $c YDX $d BDX $d YDX $d OCLCO $d OCLCF $d CIA $d NUI $d SILO 050 4 $a PN1995.25 $b .C56 2021 082 04 $a 791.43/657 $2 23 245 00 $a Cinematic Intermediality : $b Theory and Practice / $c edited by Kim Knowles and Marion Schmid. 264 1 $a Edinburgh : $b Edinburgh University Press, $c [2021] 300 $a xiii, 206 pages : $b illustrations ; $c 25 cm. 490 1 $a Edinburgh Studies in Film and Intermediality 520 $a This edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film's relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance. 504 $a Includes bibliographical references and index. 505 00 $g Introduction / $r Sarah Pucill. $t A dialogue with Claude Cahun: between writing, photography and film in Magic mirror and Confessions to the mirror / $t Film and performance: intermedial intersections / $r Stephen Barber -- $t Carving cameras: Antonioni's Lo sguardo di Michelangelo / $r Steven Jacobs -- $t The photo-filmic and the post-human: picturesque landscapes at the peripheries of global cinema / $r AÌgnes PethoÌ -- $t Dream screen: on cinema and painting, blur and absorption / $r Martine Beugnet -- $t The intermedial avant-gardes. -- $t From the periphery to the interstices: avant-garde film, medium specificity and intermediality, 1970-2015 / $r Christopher Townsend -- $t The 'artist as filmmaker': modernisms, schisms, misunderstandings / $r Lucy Reynolds -- $t The artwork/statement as intermedial nexus: Paul Sharits's N:O:T:H:I:N:G / $r Barnaby Dicker -- $t Technology, apparatus, affect. -- $t Intermediality and the origins of cinema / $r Boris Wiseman -- $t Cinematography's blind spots: artistic exploitations of the film frame / $r Gabriele Jutz -- $t Filming and feeling between the arts: Pascale Breton, Suite armoricaine and EugeÌne Green, Le fils de Joseph / $r Marion Schmid -- $t Intermedial creation. -- $t What does a dance filmmaker see? / $r Adam Roberts -- $t Performance, moving image, installation: the making of Body of war and Faith / $r Isabel Rocamora -- $t Muybridge's disobedient horses: Non-stop stop-motion / $r Anna Vasof -- $t A dialogue with Claude Cahun: between writing, photography and film in Magic mirror and Confessions to the mirror / $r Sarah Pucill. 650 0 $a Motion pictures and the arts. 650 0 $a Motion pictures $x Criticism and interpretation. 650 0 $a Intermediality. 650 7 $a Intermediality. $2 fast $0 (OCoLC)fst01744695 650 7 $a Motion pictures. $2 fast $0 (OCoLC)fst01027285 650 7 $a Motion pictures and the arts. $2 fast $0 (OCoLC)fst01027422 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 776 08 $i Electronic version: $t Cinematic Intermediality. $d Edinburgh : Edinburgh University Press, [2021] $z 9781474446365 $w (OCoLC)1243534589 700 1 $a Knowles, Kim, $d 1976- $e editor. 700 1 $a Schmid, Marion, $d 1969- $e editor. 830 0 $a Edinburgh studies in film and intermediality. 941 $a 1 952 $l OVUX522 $d 20231117025050.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=FE93E4985F0711ECA70E6FDD2BECA4DBInitiate Another SILO Locator Search