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03891aam a2200457 i 4500 001 BC197C9A323411EC8B1165C359ECA4DB 003 SILO 005 20211021010114 008 201016s2020 enka b 001 0 eng d 010 $a 2020430061 020 $a 9781847012425 020 $a 1847012426 035 $a (OCoLC)1110451216 040 $a YDX $b eng $e rda $c DLC $d OCLCO $d UtOrBLW $d SILO 042 $a lccopycat 043 $a f------ $0 http://id.loc.gov/vocabulary/geographicAreas/f $a f------ $0 http://id.loc.gov/vocabulary/geographicAreas/f 050 00 $a PN1993.5.A35 $b T483 2020 082 04 $a 791.430233092 $2 23 100 1 $a Thackway, Melissa, $e author. $4 http://id.loc.gov/vocabulary/relators/aut $0 http://id.loc.gov/authorities/names/n2003048937 245 10 $a Reel resistance : $b the cinema of Jean-Marie Teno / $c Melissa Thackway & Jean-Marie Teno. 264 1 $a Woodbridge, Suffolk : $b James Currey, $c 2020. 300 $a xvi, 237 pages : $b illustrations ; $c 25 cm 340 $p illustration $2 rdaill $0 http://rdaregistry.info/termList/IllusContent/1014 520 8 $a Both a monograph and a critical dialogue between academic Melissa Thackway, author of Africa Shoots Back, and the Cameroonian filmmaker Jean-Marie Teno, this collaborative work takes the reader on a journey through Teno's multifaceted on-going filmic reflection on Cameroon and the wider African continent, its socio-political systems, history, memory and cultures. Presenting and contextualizing Teno's cinema, it addresses the notion of political commitment in art and of cinema as a form of resistance. It also considers Teno's filmmaking both in relation to the theoretical and aesthetic debates to have animated West and Central African filmmakers since the 1960s and 1970s, and in relation to documentary filmmaking practices on the continent and beyond. In so doing, the book offers an analysis of the predominant stylistic and thematic traits of Teno's work, examines the individual films and the collective oeuvre, and highlights the evolutions of his film language and concerns. It identifies and explores the committed socio-political and historical themes at play, such as violence, power, history, memory, gender, trauma and exile. It also considers Teno's unwavering focus, both thematically and in his filmmaking choices, on forms and instances of resistance, framing his cinema as a form of decolonial aesthetics. 504 $a Includes bibliographical references and index. 600 10 $a TeÌno, Jean-Marie. $0 http://id.loc.gov/authorities/names/no96054605 600 17 $a TeÌno, Jean-Marie. $2 fast $0 http://id.worldcat.org/fast/382186 $0 http://id.worldcat.org/fast/382186 648 7 $a 1900-1999 $2 fast 650 0 $a Motion pictures, African $z Cameroon $x History and criticism $y 20th century. 650 0 $a Documentary films $z Africa $x History and criticism. 650 0 $a Motion picture producers and directors $z Cameroon. 650 7 $a Documentary films. $2 fast $0 http://id.worldcat.org/fast/896079 $0 http://id.worldcat.org/fast/896079 650 7 $a Motion picture producers and directors. $2 fast $0 http://id.worldcat.org/fast/1027225 $0 http://id.worldcat.org/fast/1027225 650 7 $a Motion pictures, African. $2 fast $0 http://id.worldcat.org/fast/1027477 $0 http://id.worldcat.org/fast/1027477 651 7 $a Africa. $2 fast $0 http://id.worldcat.org/fast/1239509 $0 http://id.worldcat.org/fast/1239509 651 7 $a Cameroon. $2 fast $0 http://id.worldcat.org/fast/1212703 $0 http://id.worldcat.org/fast/1212703 655 7 $a Criticism, interpretation, etc. $2 fast $0 http://id.worldcat.org/fast/1411635 $0 http://id.worldcat.org/fast/1411635 700 1 $a TeÌno, Jean-Marie, $e author. $4 http://id.loc.gov/vocabulary/relators/aut $0 http://id.loc.gov/authorities/names/no96054605 941 $a 1 952 $l OVUX522 $d 20220317022615.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=BC197C9A323411EC8B1165C359ECA4DBInitiate Another SILO Locator Search