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03446aam a22003377i 4500 001 03882B36CD0211ECB5E908A224ECA4DB 003 SILO 005 20220506010041 008 210903s2022 enkac b 000 0deng d 020 $a 1913645207 020 $a 9781913645205 035 $a (OCoLC)1266642940 040 $a YDX $b eng $c YDX $d BDX $d ERASA $d UKMGB $d OCLCF $d OCLCO $e rda $d QGJ $d SILO 050 4 $a NX554 245 00 $a Van Gogh, self-portraits / $c edited by Karen Serres, with contributions from Martin Bailey, Karen Serres and Louis van Tilborgh. 264 1 $a London : $b Paul Holberton, with The Courtauld Gallery, $c 2022. 300 $a 152 pages : $b illustrations ; $c 26 cm 585 $a First published to accompany the exhibition Van Gogh Self-Portraits, The Courtauld Gallery, London, 3 February-8 May 2022. 504 $a Includes bibliographical references (pages 150-151). 520 8 $a "This important publication accompanies the first ever exhibition devoted to Vincent van Gogh's self-portraits across his entire career. The exhibition at the Courtauld Gallery and accompanying catalogue feature world-famous and lesser known works from the great artist.00The myth of Van Gogh today is linked as much to his extraordinary life as it is to his stunning paintings. His biography has often shaped the way that his self-portraits have been (mis)understood. Van Gogh. Self-Portraits reconsiders this aspect of his production and places the artist's self-representation in context to reveal the role it plays in his oeuvre. It also explores the power and profound emotion of these highly personal paintings. 'Van Gogh. Self-Portraits' is the first time this theme has been exclusively addressed. Self-portraits painted during Van Gogh's time in Paris (February 1886 - February 1888) have been the subject of two exhibitions (in 1960 at Marlborough Fine Arts in London and in 1995 at the Kunsthalle in Hamburg) but never has the full chronological range been explored. The exhibition at The Courtauld Gallery features paintings from both the Parisian and Provençal periods. It brings together half of Van Gogh's thirty-five known self-portraits to examine the ways the artist approached this particular subject-matter. On a practical level, painting himself provided Van Gogh with the cheapest and most patient of models and represented an important conduit for stylistic experimentation. He also used self-portraiture as an homage to his illustrious Dutch predecessor Rembrandt, as well as a way of fashioning his own identity and presenting himself to the outside world. Of particular interest is the striking way the evolution of Van Gogh's self-representation over the short years of his artistic activity can be seen as a microcosm of his development as a painter. Exhibition: The Courtauld Gallery, London, UK (03.02. - 08.05.2022)." -- $c Provided by publisher 600 10 $a Gogh, Vincent van, $d 1853-1890 $v Exhibitions. 650 0 $a Self-portraits $v Exhibitions. 700 1 $a Gogh, Vincent van, $d 1853-1890, $e artist. $4 art 700 1 $a Serres, Karen, $e contributor. $e contributor. $4 ctb $4 ctb 700 1 $a Bailey, Martin, $d 1947- $e contributor. $4 ctb 700 1 $a Tilborgh, Louis van, $e contributor. $4 ctb 710 2 $a Courtauld Institute Galleries, $e host institution. $4 his 941 $a 1 952 $l USUX851 $d 20220802020916.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=03882B36CD0211ECB5E908A224ECA4DB 994 $a C0 $b IWAInitiate Another SILO Locator Search