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04191aam a2200457 i 4500 001 BB6F54241D7611EA83B92C1397128E48 003 SILO 005 20191213010258 008 190327s2019 nyua b 001 0 eng c 010 $a 2019008431 020 $a 1501351583 020 $a 9781501351587 035 $a (OCoLC)1073111253 040 $a LBSOR/DLC $b eng $e rda $c DLC $d OCLCF $d OCLCO $d UKMGB $d YDX $d OCLCO $d CHVBK $d OCLCO $d OCLCA $d UtOrBLW $d SILO 042 $a pcc 050 04 $a PT1863.Z7 $b M24 2019 082 00 $a 838/.709 $2 23 100 1 $a McGillen, Petra $q (Petra S.), $e author. $0 http://id.loc.gov/authorities/names/no2019048162 245 14 $a The Fontane workshop : $b manufacturing realism in the industrial age of print / $c Petra S. McGillen. 264 1 $a New York, NY : $b Bloomsbury Academic, $c 2019. 300 $a xvii, 309 pages : $b illustrations (black and white) ; $c 22 cm. 490 1 $a New directions in German studies ; $v vol. 26 520 $a "With an innovative approach that combines material media history, media theory, and literary poetics, this book reconstructs the great German writer Theodor Fontane's creative process. Petra McGillen follows Fontane into the engine room of his text production. Analyzing a wealth of unexplored archival evidence--which includes a collection of the author's 67 extant notebooks, along with an array of other 'paper tools,' such as cardboard boxes, envelopes, and slips--McGillen demonstrates how Fontane compiled his realist prose works. That is, he assembled them from premediated sources, literally with scissors and glue, in an extraordinarily inorganic and radically intertextual manner that turned 'writing' into a process of ongoing remix. By exploring the far-reaching implications of Fontane's creative practices for our understanding of his authorship, originality, and poetics, this book opens up a completely new way to think about his works and, by extension, 19th-century literary realism. This conceptualization of authors' notebooks as creative tools makes a substantial contribution to scholarship on the history of writing media in several disciplines, from German studies and literary studies to media history, and to our understanding of the relationship between mass media and literary creativity in the late 19th century"-- $c Provided by publisher. 500 $a Extensive and substantial revision of author's thesis (doctoral)--Princeton University, 2012, titled Original compiler : notation as textual practice in Theodor Fontane. 504 $a Includes bibliographical references (pages 277-295) and index. 505 0 $a Introduction : remediating copy and paste -- Media-historical coordinates : literature in the industrial age of print -- Biography vs. autobiography : the making of a compiler -- A living archive : generating input -- The manufacture of literature : generating output -- Coda : the calculated novel : Mathilde MoÌhring's "uncreative" writing. 600 10 $a Fontane, Theodor, $d 1819-1898 $x Criticism and interpretation. 600 17 $a Fontane, Theodor, $d 1819-1898. $2 fast $0 (OCoLC)fst00031429 648 7 $a 1800-1899 $2 fast 650 0 $a German literature $y 19th century $x History and criticism. $0 http://id.loc.gov/authorities/subjects/sh85054387 650 0 $a Realism in literature. $0 http://id.loc.gov/authorities/subjects/sh85111770 650 0 $a Creation (Literary, artistic, etc.) $0 http://id.loc.gov/authorities/subjects/sh85033827 650 7 $a Creation (Literary, artistic, etc.) $2 fast $0 (OCoLC)fst00882393 650 7 $a German literature. $2 fast $0 (OCoLC)fst00941797 650 7 $a Realism in literature. $2 fast $0 (OCoLC)fst01091237 655 7 $a Criticism, interpretation, etc. $2 fast $0 http://id.worldcat.org/fast/1411635 $0 http://id.worldcat.org/fast/1411635 776 08 $i Electronic version: $a McGillen, Petra (Petra S.). $t Fontane workshop. $d New York, NY : Bloomsbury Academic, 2019 $z 9781501351563 $w (OCoLC)1096214565 $w (OCoLC)1096214565 830 0 $a New directions in German studies ; $v v. 26. $0 http://id.loc.gov/authorities/names/no2011099108 941 $a 1 952 $l OVUX522 $d 20191213013856.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=BB6F54241D7611EA83B92C1397128E48Initiate Another SILO Locator Search