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03324aam a2200433 i 4500 001 629D17867CB711EB8C51190E5AECA4DB 003 SILO 005 20210304010025 008 200411s2020 nyua b 001 0 eng 010 $a 2020001451 020 $a 019005428X 020 $a 9780190054281 020 $a 0190054271 020 $a 9780190054274 035 $a (OCoLC)1152353031 040 $a LBSOR/DLC $b eng $e rda $c DLC $d OCLCO $d YDX $d BDX $d OCLCF $d YDX $d SILO 042 $a pcc 043 $a n-us--- $a n-us--- 050 00 $a GV1796 H57 P47 2020 100 1 $a Perillo, J. Lorenzo, $e author. 245 10 $a Choreographing in color : $b Filipinos, hip-hop, and the cultural politics of euphemism / $c J. Lorenzo Perillo. 264 1 $a New York, NY : $b Oxford University Press, $c [2020] 300 $a xviii, 252 pages : $b illustrations ; $c 25 cm 504 $a Includes bibliographical references and index. 505 0 $a Choreographing in color -- Zombies and prisoner rehabilitation -- Heroes and Filipino migrations -- Robots and affirmative choreographies -- Judges and international competitions -- Hip-hop ambassadors and conventions. 520 $a "In Choreographing in Color, J. Lorenzo Perillo investigates the development of Filipino popular dance and performance since the late 20th century. Drawing from nearly two decades of ethnography, choreographic analysis, and community engagement with artists, choreographers, and organizers, Perillo asserts the importance in shifting attention away from the predominant Philippine neoliberal and U.S. imperialist emphasis on Filipinos as superb mimics, heroic migrants, model minorities, and natural dancers and instead asks: what does it mean for Filipinos to navigate the violent forces of empire and neoliberalism with street dance and Hip-Hop? Employing critical race, feminist, and performance studies, Perillo analyzes the conditions of possibility that gave rise to Filipino dance phenomena across viral, migrant, theatrical, competitive, and diplomatic performance in the Philippines and diaspora. Advocating for serious engagements with the dancing body, Perillo rethinks a staple of Hip-Hop's regulation, the "euphemism," as a mode of social critique for understanding how folks have engaged with both racial histories of colonialism and gendered labor migration. Figures of euphemism-the zombie, hero, robot, and judge-constitute a way of seeing Filipino Hip-Hop as contiguous with a multi-racial repertoire of imperial crossing, thus uncovering the ways Black dance intersects Filipino racialization and reframing the ongoing, contested underdog relationship between Filipinos and U.S. global power"-- $c Provided by publisher. 650 0 $a Hip-hop dance $x Political aspects $z Philippines. 650 0 $a Hip-hop dance $x Social aspects $z United States. 650 0 $a Dance and race. 650 0 $a Filipinos $x Social life and customs. 650 0 $a Filipinos $x Ethnic identity. 650 0 $a Filipino Americans $x Social life and customs. 650 0 $a Filipino Americans $x Ethnic identity. 651 0 $a Philippines $x Relations $z United States. 651 0 $a United States $x Relations $z Philippines. 941 $a 1 952 $l USUX851 $d 20210406020353.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=629D17867CB711EB8C51190E5AECA4DB 994 $a C0 $b IWAInitiate Another SILO Locator Search