The Locator -- [(subject = "African Americans--Interviews")]

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05596aam a2200889 i 4500
001 E7B85142214711EEBC7340321FECA4DB
003 SILO
005 20230713010558
008 210910t20222022miua     b    001 0beng  
010    $a 2021040669
020    $a 0472055127
020    $a 9780472055128
020    $a 0472075128
020    $a 9780472075126
035    $a (OCoLC)1237749836
040    $a MiU/DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d UKMGB $d OCLCO $d YDX $d OCLCO $d NYP $d OCLCO $d OCLCA $d MNN $d IL4J6 $d CIA $d CQC $d TEU $d SILO
042    $a pcc
043    $a n-us---
050 00 $a GV1785.J55 $b N47 2022
082 00 $a B $a B $2 23
100 1  $a Nereson, Ariel, $d 1985- $e author.
245 10 $a Democracy moving : $b Bill T. Jones, contemporary American performance, and the racial past / $c Ariel Nereson.
246 30 $a Bill T. Jones, contemporary American performance, and the racial past
264  1 $a Ann Arbor : $b University of Michigan Press, $c 2022.
300    $a xi, 278 pages : $b illustrations ; $c 24 cm.
490 1  $a Theater: theory/text/performance
504    $a Includes bibliographical references (pages 207-264) and index.
505 0  $a Introduction -- Commission -- Text -- Character -- Place -- Body -- Circulation -- Coda -- Notes.
520    $a "On the 200th anniversary of Abraham Lincoln's birth, renowned choreographer and director Bill T. Jones developed three tributes: Serenade/The Proposition, 100 Migrations, and Fondly Do We Hope . . . Fervently Do We Pray. These widely acclaimed dance works incorporated video and audio text from Lincoln's writings as they examined key moments in his life and his enduring legacy. Democracy Moving explores how these works provided both an occasion and a method by which democracy and history might be reconceived through movement, positioning dance as a form of both history and historiography. The project addresses how different communities choose to commemorate historical figures, events, and places through art-whether performance, oratory, song, statuary, or portraiture-and in particular, Black US American counter-memorial practices that address histories of slavery. Advancing the theory of oscillation as Black aesthetic praxis, author Ariel Nereson celebrates Bill T. Jones as a public intellectual whose practice has contributed to the project of understanding America's relationship to its troubled past. The book features materials from Bill T. Jones/Arnie Zane Company's largely unexplored archive, interviews with artists, and photos that document this critical stage of Jones's career as it explores how aesthetics, as ideas in action, can imagine more just and equitable social formations"-- $c Provided by publisher.
600 10 $a Jones, Bill T.
600 10 $a Zane, Arnie, $d 1948-1988.
600 10 $a Lincoln, Abraham, $d 1809-1865 $x Anniversaries, etc.
610 20 $a Bill T. Jones/Arnie Zane and Company.
600 16 $a Lincoln, Abraham, $d 1809-1865 $x Anniversaires.
600 17 $a Jones, Bill T. $2 fast $0 (OCoLC)fst00187145
600 17 $a Lincoln, Abraham, $d 1809-1865. $2 fast $0 (OCoLC)fst00030184
600 17 $a Zane, Arnie, $d 1948-1988. $2 fast $0 (OCoLC)fst00226031
610 27 $a Bill T. Jones/Arnie Zane and Company. $2 fast $0 (OCoLC)fst00717171
600 17 $a Jones, Bill T. $2 nli
600 17 $a Zane, Arnie, $d 1948-1988 $2 nli
600 17 $a Lincoln, Abraham, $d 1809-1865 $x Anniversaries, etc. $2 nli
610 27 $a Bill T. Jones/Arnie Zane and Company. $2 nli
650  0 $a Performing arts $x Social aspects $z United States.
650  0 $a Performing arts $x Political aspects $z United States.
650  0 $a Racism and the arts $z United States.
650  0 $a Dance $x Social aspects $z United States.
650  0 $a Dance $x Political aspects $z United States.
650  0 $a African Americans $v Interviews.
650  6 $a Arts du spectacle $x Aspect social $z États-Unis.
650  6 $a Arts du spectacle $x Aspect politique $z États-Unis.
650  6 $a Racisme et arts $z États-Unis.
650  6 $a Danse $x Aspect social $z États-Unis.
650  6 $a Danse $x Aspect politique $z États-Unis.
650  6 $a Noirs américains $v Entretiens.
650  7 $a African Americans. $2 fast $0 (OCoLC)fst00799558
650  7 $a Anniversaries. $2 fast $0 (OCoLC)fst00809757
650  7 $a Dance $x Political aspects. $2 fast $0 (OCoLC)fst00887439
650  7 $a Dance $x Social aspects. $2 fast $0 (OCoLC)fst00887466
650  7 $a Performing arts $x Political aspects. $2 fast $0 (OCoLC)fst01057918
650  7 $a Performing arts $x Social aspects. $2 fast $0 (OCoLC)fst01057933
650  7 $a Racism and the arts. $2 fast $0 (OCoLC)fst01086649
651  7 $a United States. $2 fast $0 (OCoLC)fst01204155
650  7 $a Performing arts $x Social aspects $z United States $2 nli
650  7 $a Performing arts $x Political aspects $z United States $2 nli
650  7 $a Racism and the arts $z United States $2 nli
650  7 $a Dance $x Social aspects $z United States $2 nli
650  7 $a Dance $x Political aspects $z United States. $2 nli
650  7 $a African Americans $v Interviews $2 nli
655  7 $a Interviews. $2 fast $0 (OCoLC)fst01423832
655  7 $a Biographies. $2 lcgft $0 https://id.loc.gov/authorities/genreForms/gf2014026049
655  7 $a Interviews. $2 lcgft $0 https://id.loc.gov/authorities/genreForms/gf2014026115
776 08 $i Online version: $a Nereson, Ariel Ann, 1985- $t Democracy moving $d Ann Arbor : University of Michigan Press, 2022 $z 9780472129645 $w (DLC)  2021040670
830  0 $a Theater--theory/text/performance.
941    $a 1
952    $l PLAX964 $d 20230718100305.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=E7B85142214711EEBC7340321FECA4DB
994    $a 92 $b IOH

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