The Locator -- [(subject = "Shakespeare William--1564-1616--Film adaptations")]

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03329aam a2200493 i 4500
001 C18AD890323411EC8B1165C359ECA4DB
003 SILO
005 20211021010114
008 191202s2020    enka     b    001 0 eng  
010    $a 2019040760
020    $a 1108703046
020    $a 9781108703048
020    $a 1108498132
020    $a 9781108498135
035    $a (OCoLC)1113875691
040    $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d UKMGB $d YDX $d CHVBK $d OCLCO $d IL4J6 $d OCLCO $d NUI $d SILO
042    $a pcc
050 00 $a PR3091 $b .S3674 2020
082 00 $a 822.3/3 $2 23
100 1  $a Worthen, William B., $d 1955- $e author.
245 10 $a Shakespeare, technicity, theatre / $c W. B. Worthen.
264  1 $a Cambridge ; $b Cambridge University Press, $c 2020.
300    $a vii, 271 pages : $b illustrations (black and white) ; $c 24 cm
520    $a "This urgent and provocative study explores contemporary Shakespeare performance to bring a sense of theatre as technology into view. Rather than merely using technologies, the theatre's distinctively intermedial character is essential to its complex technicity; the changing function of gesture and costume, of written documents in the making of performance, of light and sound, and of the interplay of live and recorded acting complicate the sense of theatre as a medium. In a series of probing discussions, Worthen interrogates the interaction of live and mediated acting onstage, the impact of written media from the handwritten scroll to the small-screen app in acting as a technē, the work of Original Practices as an interactive modern theatre technology, the economies of theatrical immersion, and the consequences of an emerging algorithmic theatre, providing a richly theoretical reading of the stakes of theatre as an always-emerging technology"-- $c Provided by publisher.
504    $a Includes bibliographical references and index.
505 0  $a Introduction: theater, medium, technology -- The face, the mask, the screen: acting and the technologies of the other -- Shax the app -- Interactive remediation: original practices -- Designing the spectator -- And or and not: recoding theater.
600 10 $a Shakespeare, William, $d 1564-1616 $x Dramatic production.
600 10 $a Shakespeare, William, $d 1564-1616 $x Stage history $y 1950-
600 10 $a Shakespeare, William, $d 1564-1616 $v Film adaptations.
600 17 $a Shakespeare, William, $d 1564-1616. $2 fast $0 (OCoLC)fst00029048
648  7 $a Since 1950 $2 fast
650  0 $a Performing arts $x Technological innovations.
650  0 $a Technology and the arts.
650  0 $a Film adaptations $x History and criticism.
650  7 $a Film adaptations. $2 fast $0 (OCoLC)fst00924250
650  7 $a Performing arts $x Technological innovations. $2 fast $0 (OCoLC)fst01057943
650  7 $a Technology and the arts. $2 fast $0 (OCoLC)fst01145276
650  7 $a Theater. $2 fast $0 (OCoLC)fst01149217
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
655  7 $a Film adaptations. $2 fast $0 (OCoLC)fst01710491
776 08 $i Online version: $a Worthen, W. B., $t Shakespeare, technicity, theatre $d Cambridge ; New York : Cambridge University Press, 2020. $z 9781108628464 $w (DLC)  2019040761
941    $a 1
952    $l OVUX522 $d 20231117030620.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=C18AD890323411EC8B1165C359ECA4DB

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