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03643aam a2200517 i 4500 001 890DBE7A462211E9A3F20F6897128E48 003 SILO 005 20190314012734 008 170822t20182017waua bc f001 0 eng c 010 $a 2017039725 020 $a 1848222645 020 $a 9781848222649 035 $a (OCoLC)1002419059 040 $a DGPO/DLC $b eng $e rda $c GPO $d DLC $d GPO $d OCLCF $d YDX $d ZHM $d OCLCA $d YDX $d OCLCO $d HFL $d U3G $d TFW $d OCLCO $d AVA $d DEBBG $d OCLCO $d AVA $d HTV $d AUD $d DEHBZ $d UPM $d IaU $d SILO 042 $a pcc 043 $a e------ 050 00 $a NE625 $b .G25 2018 082 00 $a 769.94074/753 $2 23 086 0 $a SI 8.2:P 93 100 1 $a Gabbarelli, Jamie, $e author. 245 10 $a Sharing images : $b Renaissance prints into maiolica and bronze / $c Jamie Gabbarelli, with Jonathan Bober. 246 30 $a Renaissance prints into maiolica and bronze 264 1 $a Wasington, DC : $b National Gallery of Art ; $c [2018] 300 $a 156 pages : $b illustrations (some color) ; $c 28 cm 500 $a "Exhibition ... organized by the National Gallery of Art, Washington." 500 $a "Exhibition dates: April 1- August 5, 2018." 520 $a "It is well known that the advent of the printed image in the Renaissance transformed the content, appearance, and function of art in the following centuries. As rapidly producible multiples, prints could broadcast visual motifs, compositions, subjects, and styles with unprecedented speed and to an ever-expanding audience. The print, more than any other medium, created an artistic canon that went beyond geographic and medial boundaries. The two art forms most directly and dramatically influenced by prints in the Renaissance were ceramics and bronze plaquettes. Brightly painted maiolica and minutely crafted bronze reliefs are among the most beautiful and intriguing objects produced in the period. Sharing Images: Renaissance Prints into Maiolica and Bronze documents the National Gallery of Art exhibition that brings prints, istoriato maiolica, and plaquettes into the same space, addressing the impact prints had on the decorative arts but also the modalities of their reception, highlighting the remarkably creative engagement artists and craftsmen had with their models."--Provided by publisher. 504 $a Includes bibliographical references and index. 505 00 $g Index. $g Acknowledgments -- $g Lenders to the exhibition -- $g Preface -- $t The influence of illustrated books -- $t The fifteenth century -- $t The influence of Rome : antiquity and Michelangelo -- $t Raphael and his workshop -- $t After Raphael : Parmigianino, Rosso, and Caraglio -- $t Italy and the north -- $t The influence of illustrated books -- $g Checklist of the exhibition -- $g Bibliography -- $g Glossary of terms -- $g Index. 650 0 $a Prints, European $v Exhibitions. 650 0 $a Prints, Renaissance $v Exhibitions. 650 0 $a Majolica $v Exhibitions. 650 0 $a Bronzes, European $v Exhibitions. 650 7 $a Bronzes, European. $2 fast $0 (OCoLC)fst00839572 650 7 $a Majolica. $2 fast $0 (OCoLC)fst01006203 650 7 $a Prints, European. $2 fast $0 (OCoLC)fst01076896 650 7 $a Prints, Renaissance. $2 fast $0 (OCoLC)fst01076951 655 7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028 655 7 $a Exhibition catalogs. $2 lcgft 700 1 $a Bober, Jonathan, $e writer of preface. 710 2 $a National Gallery of Art (U.S.), $e organizer. 710 2 $a National Gallery of Art (U.S.). $b Publishing Office, $e publisher. 710 2 $a Lund Humphries, $e publisher. 941 $a 1 952 $l OVUX522 $d 20191116010923.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=890DBE7A462211E9A3F20F6897128E48Initiate Another SILO Locator Search