Includes bibliographical references (pages 223-233) and index.
Contents:
Introduction: the floating world and its artistic networks -- Teaching the art of painting through print: a master painter, his students, and the illustrated book -- Picturing beauties: print designers, publishers, and a mirror of the Yoshiwara -- Unrolling pictures for the erotic imagination: a designer, his publisher, and the scroll of the sleeve -- Making dogma into comedy: a writer and an illustrator send up religion in a popular book -- Conclusion: reconsidering collaboration and ukiyo art worlds.
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