"Published on the occasion of the exhibition: Hannah Höch, Whitechapel Gallery, London, 14 January-23 March 2014"--Colophon Includes bibliographical references (pages 251-252).
Contents:
Images -- Hannah Höch. A glance over my life, July 1958 / Daniel F. Herrmann -- On collage / Hannah Höch -- Hannah Höch, Dada and the 'New Woman' / Dawn Ades -- Hannah Höch, performance and the Anti-Revue / Deborah Lewer -- Images -- On embroidery / Hannah Höch -- Dada / Adolf Behne -- The painter / Hannah Höch -- Performing the culture of Weimar postcolonialism: Hannah Höch's From an ethnographic museum and its legacy / Brett M. Van Hoesen -- The mess of history, or the unclean Hannah Höch / Maud Lavin -- Images -- Catalogue foreword to Hannah Höch's solo exhibition at the Kunstzaal De Bron, The Hague -- A few words on photomontage / Hannah Höch -- Glued, not cut: on the singularity of Hannah Höch's scrapbook / Ralf Burmeister -- Images -- Images -- Diary entry on the visit to the Entartete Kunst exhibition, 1937 -- Diary entries on the arrival of Russian troops and the ceasefire, 1945 -- Hannah Höch's later collages: an endless process of renewal / Emily Butler -- Interview between Edouard Roditi and Hannah Höch -- Images -- Catalogue foreword to Reinickendorfer Künstler stellen aus! -- Fantastic art / Hannah Höch -- A glance over my life, July 1958 / Hannah Höch.
Summary:
This text on the celebrated Dada artist Hannah Höch explores her use of collage as the artistic medium of choice for both satire and poetic beauty.
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