Foreword / by Ralph Rugoff -- Michael Fried on Anthony Caro (Anthony Caro, 1969) -- Bryan Robertson on Bridget Riley (Bridget Riley : paintings and drawings 1951-71, 1971) -- Anne Seymour on British conceptual art (The new art, 1972) -- John Russell on Lucian Freud (Lucian Freud, 1974) -- Dore Ashton on Agnes Martin (Agnes Martin : paintings and drawings 1957-1975, 1977) -- Leon Kossoff on Frank Auerbach (Frank Auerbach, 1978) -- Lucy Lippard on gender and contemporary art (Hayward Annual '78, 1978) -- Roger Cardinal on outsider art (Outsiders : an art without precedent or tradition, 1979) -- Mark Haworth-Booth on David Hockney's photography (Hockney's photographs, 1983) -- Adrian Forty on Le Corbusier (Le Corbussier : architect of the century, 1987) -- Lynne Cooke on Tony Cragg (Tony Cragg : thinking models, 1987) -- Guy Brett on Latin American art (Art in Latin America : the modern era, 1820-1980, 1989) -- Rasheed Araeen on the other story (The other story : Afro-Asian artists in post-war Britain, 1989) -- Jon Thompson on post-minimalist sculpture (Gravity and grace : the changing condition of sculpture 1965-1975, 1993) -- James Turrell on James Turrell (James Turrell : air mass, 1993) -- Adrian Searle on painting (Unbound : possibilities in painting, 1994) -- James Lingwood on contemporary photography (The epic and the everyday : contemporary photographic art, 1994) -- Dawn Ades on art and power (Art and power : Europe under the dictators 1930-1945, 1995) -- Richard J. Powell on the Harlem renaissance (Rhapsodies in black : art of the Harlem renaissance, 1997) -- David Sylvester on Francis Bacon (Francis Bacon : the human body, 1998) -- Homi K. Bhabha on Anish Kapoor (Anish Kapoor, 1998) -- Peter Wollen on art and fashion (Addressing the century : 100 years of art and fashion, 1998) -- Marco Livingstone on Patrick Caulfield (Patrick Caulfield, 1999) -- Matthew Higgs on 1990s British art (British art show 5, 2000) -- David Toop on sound art (Sonic boom : the art of sound, 2000) -- Bridget Riley on Paul Klee (Paul Klee : the nature of creation, 2002) -- Marina Warner on art and illusion (Eyes, lies and illusions : optical wizardry through time, 2004) -- Simon Jnami on contemporary African art (Africa remix : contemporary art of a continent, 2005) -- Tacita Dean on curating (An aside, 2005) -- Anthony Vidler on Antony Gormley (Antony Gormley : blind light, 2007) -- Kaja Silverman on painting from photographs (The painting of modern life : 1960s to now, 2007) -- Jane Rendell on art and architecture (Psycho buildings : artists take on architecture, 2008) -- Grayson Perry on Britain's forgotten post-war art (Unpopular culture, 2008) -- Stephanie Rosenthal on performance art (Move : choreographing you. Art and dance since the 1960s, 2010) -- Ali Smith on Tracey Emin (Tracey Emin : love is what you want, 2011) -- Chrissie Iles on Pipilotti Rist (Pipilotti Rist : eyeball massage, 2011) -- Will Self on George Condo (George Condo : mental states, 2011) -- Dave Eggers talks to David Shrigley (David Shrigley : brain activity, 2012) -- Stuart Hall on Jeremy Deller (Jeremy Deller : joy in people, 2012) -- Ralph Rugoff on invisible art (Invisible : art about the unseen 1957-2012, 2012) -- Anne Wagner on art and light (Light show, 2013) -- Rick Moody on outsider photography (The alternative guide to the universe, 2013) -- Julia Bryan-Wilson on Ana Mendieta (Ana Mendieta : traces, 2013) -- Geoff Dyer on Dayanita Singh (Dayanita Singh : go away closer, 2013) -- Erik Davis on the internet of things (Mark Leckey : the universal addressability of dumb things, 2013) -- Martin Herbert on contemporary figurative sculpture (The human factor : the figure in contemporary sculpture, 2014) -- Kenneth Goldsmith on concrete poetry (The new concrete, 2015) -- Biographies.
Summary:
Featuring a formidable list of writers, and encapsulating the eclectic range of art that has delighted and inspired audiences throughout Hayward Gallery's history, this book ranges from painting and photography to sculpture, choreography and architecture, and takes in a huge diversity of subjects, from Paul Klee to the art of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro-Asian artists in postwar Britain.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.