Exhibition held at Tate Modern, London, October 13, 2015-April 3, 2016. "This exhibition is the first Hyundai Commission"--Title page verso. Includes bibliographical references.
Contents:
Sponsor's Foreword -- Foreword -- Abraham Cruzvillegas in conversation with Mark Godfrey -- Part One: Beginnings -- Part Two: Autoconstruccion -- Part Three: Empty Lot -- Autoconfusion / Abraham Cruzvillegas -- Abraham Cruzvillegas and his Memoirs of Underdevelopment / Gabriela Rangel -- Abraham Cruzvillegas: Empty Lot.
Summary:
Since Tate Modern opened, the Turbine Hall has hosted some of the most memorable and acclaimed site-specific art installations of the twenty-first century, reaching an audience of millions. This book is published to accompany the inaugaral Hyundai Commission, the first in a new series of annual exhibitions that will give renowned international contemporary artists an opportunity to create new work for one of the world's most iconic museum spaces. Abraham Cruzvillegas (b.1968), one of the key figures to have emerged in Mexico among a new wave of conceptual artists, is best known for his sculptural works made from local found objects and materials. He has titled this body of work autoconstruccion or 'self-construction'.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.