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03633aam a2200433Ii 4500 001 7654161E580511E8A8F83C5097128E48 003 SILO 005 20180515010114 008 170313t20172017enkac b 000 0 eng d 020 $a 085488260X 020 $a 9780854882601 035 $a (OCoLC)975488094 040 $a BTCTA $b eng $e rda $c BTCTA $d BDX $d YDX $d ERASA $d LND $d GBVCP $d CDX $d SFMMA $d OCLCF $d AU@ $d UKWOH $d OCL $d CIA $d UBY $d MUU $d UBY $d BOS $d OCLCO $d NUI $d SILO 082 04 $a 779.092 $2 23 245 00 $a Thomas Ruff / $c editor, Iwona Blazwick. 246 34 $a Ruff 264 1 $a London : $b Whitechapel Art Gallery, $c [2017] 300 $a 232 pages : $b illustrations (some color), portraits (chiefly color) ; $c 31 cm 500 $a Published on the occasion of the exhibition held at Whitechapel Gallery, London, September 27, 2017-January 21, 2018. 504 $a Includes bibliographical references (pages 228-229). 520 8 $a For over thirty years Thomas Ruff has approached every genre of photography and coolly reinvented it. One of the greatest artists to use photography in the 21st century, Ruff came of age in the 1980s alongside Andreas Gursky, Candida HoÌfer and Thomas Struth, in what was to become known as the Dusseldorf School. Creating photographic images on the scale of history painting but with a cool hyperrealism, Ruff moves from the micro to the macro, from portraying friends to picturing the cosmos. He also oscillates between the laboratory and the archive, experimenting with digital technologies to create photograms with virtual objects and rescuing discarded press photographs to reveal lost histories. Unlike many other publications on his work which assess Ruff's work series by series, this catalogue provides a thematic exploration of his output including portraits, disasters, sky and cityscapes, internet nudes, photograms, manga images, magnetically generated images and found photographs. 505 0 $a Machine generated contents note: Interiors Portraits Houses Stars Newspaper Photographs Nights Other Portraits nudes Substrates Machines jpeg ma.r.s. photograms m.n.o.p. negatives press++ w.g.l. -- Portraying Modernity Sarah E. James -- Image Ventriloquism and the Visual Primer David Campany -- The Cosmos as Found Image Iwona Blazwick -- Visual Persuasion Cameron Foote -- Colouring Photographs Nayia Yiakoumaki. 505 0 $a Introduction / Iwona Blazwick -- Fragments / Thomas Ruff -- Interiors ; Portraits ; Houses ; Stars ; Newspaper Photographs ; Nights ; Other Portraits ; nudes ; Substrates ; Machines ; jpeg ; ma.r.s. ; photograms ; m.n.o.p. ; negatives ; press++ ; w.g.l. -- Portraying Modernity / Sarah E. James -- Image Ventriloquism and the Visual Primer / David Campany -- The Cosmos as Found Image / Iwona Blazwick -- Visual Persuasion / Cameron Foote -- Colouring Photographs / Nayia Yiakoumaki. 600 10 $a Ruff, Thomas, $d 1958- $v Exhibitions. 600 14 $a Ruff, Thomas, $d 1958- 600 17 $a Ruff, Thomas $d 1958- $2 gnd $0 (DE-588)118833693 600 17 $a Ruff, Thomas, $d 1958- $2 fast $0 (OCoLC)fst00353195 650 0 $a Photography $z Germany $x Exhibitions. 650 7 $a Fotografie $2 gnd $0 (DE-588)4045895-7 650 7 $a Photography. $2 fast $0 (OCoLC)fst01061714 651 7 $a Germany. $2 fast $0 (OCoLC)fst01210272 650 7 $a Photography. $2 eflch 650 7 $a Photography. $2 ukslc 655 7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028 700 1 $a Blazwick, Iwona, $e editor. 710 2 $a Whitechapel Art Gallery, $e responsible party. 941 $a 1 952 $l OVUX522 $d 20181116055133.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=7654161E580511E8A8F83C5097128E48Initiate Another SILO Locator Search