The Locator -- [(author = "Wexner Center for the Arts")]

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001 E6C18C2CF50B11E7A6193F6E97128E48
003 SILO
005 20180109010327
008 160425t20162016nyua     bc   001 0deng c
010    $a 2016019557
020    $a 030022186X
020    $a 9780300221862
035    $a (OCoLC)945564397
040    $a NNFr/DLC $b eng $e rda $c DLC $d YDXCP $d BTCTA $d BDX $d OCLCO $d OCLCF $d ERASA $d AQ# $d TFW $d NMWMA $d OCLCO $d YDX $d UtOrBLW $d SILO
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043    $a nwcu--- $0 http://id.loc.gov/vocabulary/geographicAreas/nwcu
050 00 $a N6605.H48 $b A4 2016 $0 http://id.loc.gov/authorities/classification/N
082 00 $a 759.97291 $2 23
100 1  $a Miller, Dana, $e curator. $e curator. $0 http://id.loc.gov/authorities/names/nr99001997
245 10 $a Carmen Herrera : $b Lines of Sight / $c Dana Miller ; with contributions by Serge Lemoine, Gerardo Mosquera, Edward J. Sullivan and a chronology by Mónica Espinel.
246 30 $a Lines of Sight
264  1 $a New York : $b Whitney Museum of American Art, $c [2016]
300    $a 231 pages : $b illustrations (some color) ; $c 32 cm
500    $a Published on the occasion of the exhibition held at Whitney Museum of American Art, New York, and at the Wexner Center for the Arts, The Ohio State University, Columbus, February 4-April 16, 2017.
504    $a Includes bibliographical references and index.
505 00 $t Checklist of the Exhibition. $r Mónica Espinel -- $t Carmen Herrera: Cuba, Inside and Out / $r Gerardo Mosquera -- $t Paris est une fête / $r Serge Lemoine -- $t Carmen Herrera: South to North / $r Edward J. Sullivan -- $t Plates -- $t Chronology / $r Mónica Espinel -- $t Exhibition History -- $t Bibliography -- $t Checklist of the Exhibition.
520    $a "Cuban-born artist Carmen Herrera (b. 1915) has painted for more than seven decades, though it is only in recent years that acclaim for her work has catapulted the artist to international prominence. This handsome volume offers the first sustained examination of her early career from 1948 to 1978, which spans the art worlds of Havana, Paris, and New York. Essays consider the artist's early studies in Cuba, her involvement with the Salon des Réalités Nouvelles in postwar Paris, and her groundbreaking New York output, as well as situate her work in the context of a broader Latin American avant-garde art. An essay by Dana Miller considers Herrera's New York work of the 1950s through the 1970s, when Herrera was arriving at and perfecting her signature style. Personal family photographs from Herrera's archive enrich the narrative, and a chronology addressing the entirety of her life and career features additional documentary images. Over eighty works are illustrated as color plates, makign this book the most extensive representation of Herrera's work to date." $c Publisher.
600 10 $a Herrera, Carmen, $d 1915- $0 http://id.loc.gov/authorities/names/no94013313
600 10 $a Herrera, Carmen, $d 1915- $v Exhibitions.
600 10 $a Herrera, Carmen, $d 1915- $x Criticism and interpretation.
600 17 $a Herrera, Carmen, $d 1915- $2 fast $0 (OCoLC)fst00338951
650  0 $a Painting, Abstract $y 20th century $v Exhibitions.
650  0 $a Women painters $z Cuba $y 20th century $v Exhibitions.
650  0 $a Minimal art $v Exhibitions. $0 http://id.loc.gov/authorities/subjects/sh2010101979
650  0 $a Shapes $x In art.
650  7 $a Geometric painting. $2 local
650  7 $a Geometric Minimalism. $2 local
655  7 $a Exhibition catalogs. $2 fast $0 http://id.worldcat.org/fast/1424028 $0 http://id.worldcat.org/fast/1424028
700 12 $a Herrera, Carmen, $d 1915-. $t Works. $k Selections. $0 http://id.loc.gov/authorities/names/no2016055750
710 2  $a Whitney Museum of American Art, $e issuing body. $e issuing body. $0 http://id.loc.gov/authorities/names/n79032811
710 2  $a Wexner Center for the Arts, $e host institution. $0 http://id.loc.gov/authorities/names/no2003052067
941    $a 2
952    $l OVUX522 $d 20231219011327.0
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956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=E6C18C2CF50B11E7A6193F6E97128E48

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