127 records matched your query       

05967aam a2200589 i 4500
001 17D067A8803411ED944134D030ECA4DB
003 SILO
005 20221220010056
008 220721s2022    nyuab    bc   001 0 eng c
020    $a 1588397262
020    $a 9781588397263
035    $a (OCoLC)1336938332
040    $a MZA $b eng $e rda $c MZA $d MZA $d OCLCF $d TOH $d ZLM $d HLO $d MNE $d YDX $d SILO
042    $a pcc
043    $a n-us-sc
050  4 $a NK4025.S62 $b H43 2022
082 04 $a 738.309757 $2 23/eng/20221102
245 00 $a Hear me now : $b the black potters of Old Edgefield, South Carolina / $c edited by Adrienne Spinozzi.
246 30 $a Black potters of Old Edgefield, South Carolina
264  1 $a New York : $b The Metropolitan Museum of Art, $c [2022]
300    $a 199 pages : $b illustrations (chiefly color), maps ; $c 27 cm
500    $a "This catalogue is published in conjunction with Hear Me Now: The Black Potters of Old Edgefield, South Carolina, on view at The Metropolitan Museum of Art, New York, from September 9, 2022, through February 5, 2023; the Museum of Fine Arts, Boston, from March 6 through July 9, 2023; the University of Michigan Museum of Art, Ann Arbor, from August 26, 2023, through January 7, 2024; and the High Museum of Art, Atlanta, from February 16 through May 12, 2024. "-- Title page verso
504    $a Includes bibliographical references (pages 188-190) and index
505 00 $g Photography credits. $g Preface / $r Jason R. Young -- $g Contributors -- $g Lenders to the exhibition -- $g Map of Old Edgefield District pottery sites -- $g Note to the reader -- $t A conversation with Simone Leigh / $r Vincent Brown -- $t Confronting, collecting, and celebrating Edgefield stoneware / $r Adrienne Spinozzi -- $t Incidents in the life of an enslaved abolitionist potter written by others / $r Michael J. Bramwell and Ethan W. Lasser -- $t "But oh the clay is vile" : Edgefield pottery in life and death / $r Jason R. Young -- $t A conversation with Simone Leigh / $r Jason R. Young -- $g Plates -- $g Works in the exhibition -- $g Verses by Dave -- $g Notes -- $g Selected bibliography -- $g Index -- $g Acknowledgments -- $g Photography credits.
520    $a "Recentering the development of industrially scaled Southern pottery traditions around enslaved and free Black potters working in the mid-nineteenth century, this catalogue presents groundbreaking scholarship and new perspectives on stoneware made in and around Edgefield, South Carolina. Among the remarkable works included are a selection of regional face vessels as well as masterpieces by enslaved potter and poet David Drake, who signed, dated, and incised verses on many of his jars, even though literacy among enslaved people was criminalized at the time. Essays on the production, collection, dispersal, and reception of stoneware from Edgefield offer a critical look at what it means to collect, exhibit, and interpret objects made by enslaved artisans. Several featured contemporary works inspired by or related to Edgefield stoneware attest to the cultural and historical significance of this body of work, and an interview with acclaimed contemporary artist Simone Leigh illuminates its continued relevance. Adrienne Spinozzi is Associate Curator in the American Wing at The Metropolitan Museum of Art, New York." -- Publisher's description
520 8  $a This in-depth look at the remarkable alkaline-glazed stoneware from Edgefield, South Carolina, recenters the development of Southern pottery traditions around enslaved and free Black potters working in the mid-nineteenth century. The publication brings together more than 60 rarely seen works, including figural face jugs and slip-decorated pottery by known and unknown makers. Among the most remarkable works featured are masterpieces by David Drake, known as "Dave the Potter," who signed, dated, and incised verses on many of his jars, even though literacy among enslaved people was criminalized at the time. In addition to surfacing new scholarship on the production, collection, dispersal, and cultural significance of stoneware works from Edgefield, this publication also offers a critical examination of what it means to collect, exhibit, and interpret objects made by enslaved artisans. An interview with contemporary artist Simone Leigh, the US representative for the 2022 Venice Biennale, connects Edgefield vessels to present-day conversations about sculpture, identity, and visibility.00Exhibition: Metropolitan Museum of Art, New York, USA (09.09.2022-05.02.2023).
650  0 $a African American potters $z Edgefield $z Edgefield $v Exhibitions.
650  0 $a Potters $z Edgefield $z Edgefield $v Exhibitions.
650  0 $a Stoneware $z Edgefield $z Edgefield $x History $y 19th century $v Exhibitions.
650  7 $a ART / American / African American & Black. $2 bisacsh
650  7 $a African American potters. $2 fast $0 (OCoLC)fst01741183
650  7 $a Potters. $2 fast $0 (OCoLC)fst01073567
650  7 $a Stoneware. $2 fast $0 (OCoLC)fst01133946
651  7 $a South Carolina $z Edgefield. $2 fast $0 (OCoLC)fst01229449
648  7 $a 1800-1899 $2 fast
655  7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028
655  7 $a History. $2 fast $0 (OCoLC)fst01411628
655  7 $a Exhibition catalogs. $2 lcgft
700 1  $a Spinozzi, Adrienne, $e editor.
700 1  $a Brown, Vincent, $d 1967- $e author.
700 1  $a Bramwell, Michael J., $e author.
700 1  $a Lasser, Ethan W., $e author.
700 1  $a Young, Jason R., $e interviewer. $e interviewer.
700 1  $a Leigh, Simone, $e interviewee.
700 0  $a Dave, $d active 1834-1864, $e author.
710 2  $a Metropolitan Museum of Art (New York, N.Y.), $e issuing body. $e issuing body.
710 2  $a Museum of Fine Arts, Boston, $e host institution.
710 2  $a University of Michigan. $b Museum of Art, $e host institution.
710 2  $a High Museum of Art, $e host institution.
941    $a 1
952    $l OVUX522 $d 20231117032336.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=17D067A8803411ED944134D030ECA4DB