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01753aam a22003498i 4500 001 2E2CB5D4F05511E7964A246697128E48 003 SILO 005 20180103010226 008 140919t20152015nyu 001 0 eng c 010 $a 2014037152 020 $a 0415988667 020 $a 9780415988667 020 $a 0415878292 020 $a 9780415878296 035 $a (OCoLC)892304794 040 $a ICU/DLC $b eng $e rda $c CGU $d DLC $d OCLCO $d BDX $d YDXCP $d OCLCF $d BTCTA $d UtOrBLW $d SILO 042 $a pcc 050 00 $a MT55.G814 $b P76 2015 $0 http://id.loc.gov/authorities/classification/M 082 00 $a 781.2/86 $2 23 100 1 $a Green, Douglass M. $q (Douglass Marshall), $d 1926-1999, $e author. $0 http://id.loc.gov/authorities/names/n83056954 245 14 $a The principles and practice of tonal counterpoint / $c Douglass Green and Evan Jones. 263 $a 1504 264 1 $a New York, NY ; $b Routledge, $c 2015. 300 $a xxv, 256 pages ; $c 28 cm 500 $a Includes index. 505 0 $a Species counterpoint in major and minor modes -- Eighteenth-century thoroughbass and chorale harmonization -- The chorale prelude -- Continuo-homophony in baroque music -- Sequences and invertible counterpoint -- The two-part inventions of J.S. Bach -- Three-voice counterpoint -- Rounds and canons -- Fugue -- Counterpoint in the nineteenth century -- Counterpoint in the twentieth century and beyond. 650 0 $a Counterpoint. $0 http://id.loc.gov/authorities/subjects/sh85033444 650 7 $a Counterpoint. $2 fast $0 (OCoLC)fst00881333 700 1 $a Jones, Evan Allan, $e author. $0 http://id.loc.gov/authorities/names/no2003044981 941 $a 1 952 $l OVUX522 $d 20191217020635.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=2E2CB5D4F05511E7964A246697128E48Initiate Another SILO Locator Search