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04346aim a2200433Ka 4500 001 91BFB208223B11EF96E545AA58ECA4DB 003 SILO 005 20240604012727 006 m h 007 cr una--- 007 sz usn nn ed 008 240209s2024 nyu s 000 0 eng d 020 $a 0593914287 020 $a 9780593914281 (sound recording) 040 $a TEFOD $c TEFOD $d SILO 084 $a PER011020 $a PER011000 $a PER011020 $2 bisacsh 100 1 $a Shapiro, James. 245 14 $a The playbook $h [electronic resource] : $b A story of theater, democracy, and the making of a culture war. $c James Shapiro. 250 $a Unabridged. 260 $a New York : $b Books on Tape, $c 2024. 300 $a 1 online resource (10 audio files) : $b digital 306 $a 08:03:30 500 $a Unabridged. 511 0 $a Narrator: Gabra Zackman. 520 $a A brilliant and daring account of a culture war over the place of theater in American democracy in the 1930s, one that anticipates our current divide, by the acclaimed Shakespeare scholar James Shapiro From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. It was the product of a moment when the arts, no less than industry and agriculture, were thought to be vital to the health of the republic, bringing Shakespeare to the public, alongside modern plays that confronted the pressing issues of the day—from slum housing and public health to racism and the rising threat of fascism. The Playbook takes us through some of its most remarkable productions, including a groundbreaking Black production of Macbeth in Harlem and an adaptation of Sinclair Lewis’s anti-fascist novel It Can’t Happen Here that opened simultaneously in 18 cities, underscoring the Federal Theatre’s incredible range and vitality. But this once thriving Works Progress Administration relief program did not survive and has left little trace. For the Federal Theatre was the first New Deal project to be attacked and ended on the grounds that it promoted “un-American” activity, sowing the seeds not only for the McCarthyism of the 1950s but also for our own era of merciless polarization. It was targeted by the first House un-American Affairs Committee, and its demise was a turning point in American cultural life—for, as Shapiro brilliantly argues, “the health of democracy and theater, twin born in ancient Greece, have always been mutually dependent.” A defining legacy of this culture war was how the strategies used to undermine and ultimately destroy the Federal Theatre were assembled by a charismatic and cunning congressman from East Texas, the now largely forgotten Martin Dies, who in doing so pioneered the right-wing political playbook now so prevalent that it seems eternal. 538 $a Requires the Libby app or a modern web browser. 650 17 $a Nonfiction. $2 OverDrive 650 7 $a History. $2 OverDrive 650 7 $a Performing Arts. $2 OverDrive 655 7 $a Electronic books. $2 local 700 1 $a Zackman, Gabra. 856 40 $u http://link.overdrive.com/?websiteID=251&titleID=10215221 $z Click to download here. 856 4 $3 Excerpt $u https://samples.overdrive.com/?crid=65a33e9b-2d17-42d4-828d-9cecb7b7f26e&.epub-sample.overdrive.com $z Sample 856 4 $3 Image $u https://img1.od-cdn.com/ImageType-100/1191-1/%7B65A33E9B-2D17-42D4-828D-9CECB7B7F26E%7DIMG100.JPG $z Large cover image 856 4 $3 Thumbnail $u https://img1.od-cdn.com/ImageType-200/1191-1/%7B65A33E9B-2D17-42D4-828D-9CECB7B7F26E%7DIMG200.JPG $z Thumbnail cover image 856 40 $3 Click for more information $u https://api.overdrive.com/v1/collections/v1L1B0wAAAA2Z/products/65a33e9b-2d17-42d4-828d-9cecb7b7f26e $x 1370 941 $a 1 952 $l CBPF522 $d 20240604014321.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=91BFB208223B11EF96E545AA58ECA4DBInitiate Another SILO Locator Search