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03434aam a2200409 i 4500 001 DA300B5CAE9011EDA0B1416654ECA4DB 003 SILO 005 20230217010059 008 220513s2022 nyua b 000 0 eng d 020 $a 9781636810591 020 $a 1636810594 035 $a (OCoLC)1316777967 040 $a YDX $b eng $e rda $c YDX $d YDX $d SILO 050 4 $a TR647 $b .D47 2022 082 04 $a 779.092 $2 23 100 1 $a De Sana, Jimmy, $e photographer. 245 10 $a Jimmy DeSana : $b submission / $c [by Drew Sawyer ; epilogue Laurie Simmons]. 246 30 $a Submission 264 1 $a Brooklyn, NY : $b Brooklyn Museum ; $c 2022. 300 $a 175 pages : $b illustrations (some color) ; $c 31 cm 500 $a Published on the occasion of an exhibition at the Brook Museum, November 11, 2022-April 16, 2023. 504 $a Includes bibliographical references. 505 00 $t The end / $r Laurie Simmons $t Introduction & acknowledgments / $r Drew Sawyer -- $t 1968-1976 performative identities and radical networks -- $t 1976-1980 DeSana's downtown scene and collaborations: now wave to S-M -- $t 1980-1984 the body as object -- $t 1984-1990 queering histories -- $t The end / $r Laurie Simmons 520 8 $a This is the first overview of the work of Jimmy DeSana, a pioneering yet underrecognized figure in New York's downtown art, music and film scenes during the 1970s and 1980s. The book situates DeSana's work and life within the countercultural and queer contexts in the American South as well as New York, through his involvement in mail art, punk and No Wave music and film, and artist collectives and publications. DeSana's first major project was 101 Nudes, made in Atlanta during the city's gay liberation movement. After moving to New York in 1973, DeSana became immersed in queer networks, collaborating with General Idea and Ray Johnson on zines and mail art, and documenting the genderqueer street performances of Stephen Varble. By the mid-1970s, DeSana was a fixture in New York's No Wave music and film scenes, serving as portraitist for much of the period's central figures and producing album covers for Talking Heads, James Chance and others. His book Submission, made with William S. Burroughs, humorously staged scenes out of a S&M manual that explored the body as object and the performance of desire. DeSana was also an early adopter of color photography, creating his best-known series, Suburban, in the late 1970s and early 1980s. This body of work explores relationships between gender, sexuality and consumer capitalism in often humorous, surreal ways. After DeSana became sick as a result of contracting HIV, he turned to abstraction, using experimental photographic techniques to continue to push against photographic norms. 600 10 $a De Sana, Jimmy $v Exhibitions. 650 0 $a Photography, Artistic $v Exhibitions. 650 0 $a Homosexuality and art $v Exhibitions. 650 6 $a Photographie artistique. $0 (CaQQLa)201-0048937 600 17 $a De Sana, Jimmy. $2 fast $0 (OCoLC)fst00286891 650 7 $a Photography, Artistic. $2 fast $0 (OCoLC)fst01061964 650 7 $a Homosexuality and art. $2 fast $0 (OCoLC)fst00959813 700 1 $a Sawyer, Drew, $e curator. $e curator. 700 1 $a Simmons, Laurie, $e author of epilogue. 710 2 $a Brooklyn Museum, $e issuing body. $e issuing body. 941 $a 1 952 $l OVUX522 $d 20231117011904.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=DA300B5CAE9011EDA0B1416654ECA4DBInitiate Another SILO Locator Search